Trans-imperial Feminism in England and India
Regular price
€93.99
A01=Kellie Holzer
aesthetic racism
Author_Kellie Holzer
Bengali literature
Category=DS
Category=JBSF1
Category=JBSF11
Catherine Dickens
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Marie Corelli
New Woman fiction
Rokeya Sakhawat Hossain
south Asian literature
vernacular Indian novel
Product details
- ISBN 9781666930054
- Weight: 413g
- Dimensions: 152 x 229mm
- Publication Date: 15 Dec 2024
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Hardback
Secure
checkout
Fast Shipping
Easy returns
Trans-imperial Feminism in England and India: Catherine Dickens, Marie Corelli, and Rokeya Sakhawat Hossain demonstrates the trans-imperial dimensions of gender-based oppression and traces the emergence of trans-imperial feminist consciousness between England and India. The book identifies a “new constellation” for literary studies that links the demise of Charles and Catherine Dickens’s marriage in the midst of an imperial crisis, the 1857 Sepoy Rebellion; Marie Corelli’s use of elements of the Dickens Scandal in her 1896 novel The Murder of Delicia; and Rokeya Sakhawat Hossain’s 1922 translation and critical adaptation of Corelli’s novel, Delicia Hatya. Further, the book also offers a richly contextualized reading of Hossain’s 1924 New Woman novel Padmarag to demonstrate the culmination of trans-imperial feminist consciousness. Kellie Holzer coins the term “trans-imperial feminism” to denote a dispersed feminist formation of the late nineteenth and early twentieth centuries characterized by ambivalent agency, asymmetry, “feminist snaps” that resound across empire, and partisanship forged through storytelling. Combining the methods of area studies and critical comparativism, Holzer’s analysis demonstrates how the trans-imperial circulation and citation of women’s stories, both lived and fictional, rescripts women’s lives and imagines new feminist constituencies. Ultimately, Holzer suggests that such trans-imperial aesthetic pairings have the potential to revivify Victorian Studies.
Kellie D. Holzer is professor of English and affiliate faculty in the Gender, Women, and Sexuality Studies Program at Virginia Wesleyan University.
