Transatlantic Footholds

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A01=Stephanie Palmer
american fiction writers
American Indian
american literature
American Reviews
American women authorship
american women fiction writers
American Women Writers
American women's writing
Anglo-Saxon
Author_Stephanie Palmer
book history
British literary culture
British Literary Marketplace
British periodical reception
British Reviewers
British reviews of American women writers
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Catherine Impey
Charlotte Perkins Gilman
Chopin
civil rights
class
comparative literature
cross-cultural readership
domesticity
Edith Wharton
Elizabeth Stuart Phelps
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eq_biography-true-stories
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eq_nobargain
eq_non-fiction
eq_society-politics
Ethan Frome
feminism
Feminist Literary Criticism
feminist writing
fiction writers
Gates Ajar
gender
Gilman's Ideas
Gilman’s Ideas
Helen Hunt Jackson
idea of "America"
Indian Legends
Indian policy
literary modernism transition
Manchester Courier
Mary E. Wilkins Freeman
Mary Wilkins
modern fiction
modernism
modernist writers
National Library
nineteenth-century gender studies
Ostensible Feminists
Pall Mall Gazette
Periodical Reviewers
Pietistic Literature
poets
race
Sampson Low
Shafquat Towheed
Sheffield Daily Telegraph
Silent Partner
transatlantic literary criticism
transatlantic literary study
transatlantic literature
transatlanticism
Unionist Women's Franchise
Unionist Women’s Franchise
Victorial literature
Wharton's Fiction
Wharton’s Fiction
Woman's Herald
womanhood
Woman’s Herald
women fiction writers
WWI
Yellow Wall Paper
Zitkala-Sa

Product details

  • ISBN 9780367204297
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 18 Jul 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Transatlantic Footholds: Turn-of-the-Century American Women Writers and British Reviewers analyses British reviews of American women fiction writers, essayists and poets between the periods of literary domesticity and modernism. The book demonstrates that a variety of American women writers were intelligently read in Britain during this era. British reviewers read American women as literary artists, as women and as Americans. While their notion of who counted as "women" was too limited by race and class, they eagerly read these writers for insight about how women around the world were entering debates on women’s place, the class struggle, religion, Indian policy, childrearing, and high society. In the process, by reading American women in varied ways, reviewers became hybrid and dissenting readers. The taste among British reviewers for American women’s books helped change the predominant direction that high culture flowed across the Atlantic from east-to-west to west-to-east. Britons working in London or far afield were deeply invested in the idea of "America." "America," their responses prove, is a transnational construct.

Stephanie Palmer is Senior Lecturer of Nineteenth Century American Literature at Nottingham Trent University in Nottingham, United Kingdom. She is the author of Together by Accident: American Local Color Literature and the Middle Class (2009) and articles in Symbiosis, Studies in Travel Writing, Women's Writing, Nineteenth-Century Literature, Arizona Quarterly, Pedagogy, and the essay collection, Transatlantic Conversations (2017).

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