Transcendence and Spirituality in Chinese Cinema

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A01=Kris H.K Chong
Agnostic
Author_Kris H.K Chong
Blue Kite
Category=AFKV
Category=AGR
Category=ATF
Category=DS
Category=QRM
Category=QRVG
Chen Kaige
China Film Co-Production Corporation
Chinese Filmmakers
Chinese Films
Chinese religious thought
Chinese Religious Traditions
Christian theology
Confucianist philosophy
Dao Jia
Daoist Cosmogony
Daoist spirituality
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Feng Xiaogang
Gu Qing
immanent transcendence
Jia Zhangke
Jia Zhangke's Film
Jia Zhangke’s Film
Mainland Chinese Films
Moltmann's Theology
Moltmann’s Theology
nation's social structure
Red Lantern
Red Sorghum
religion and film
Ru Jiao
sociology of religion
theological analysis of Chinese films
Trinitarian Perichoresis
Ultimate Concern
Vice Versa
Wine God
Xun Zi
Yellow Earth
Zhang Yimou

Product details

  • ISBN 9780367435745
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 21 Jul 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book provides a framework by which a global audience might think theologically about contemporary films produced in mainland China by Chinese directors. Up to this point the academic discipline of Christian theology and film has focussed predominantly on Western cinema, and as a result, has missed out the potential insights offered by Chinese spirituality on film.

Mainland Chinese films, produced within the nation’s social structure, offer an excellent lingua franca of China. Illuminating the spiritual imagination of Chinese filmmakers and their yearning for transcendence, the book uses Richard A. Blake’s concept of afterimage to analyse the potential theological implications of their films. It then brings Jürgen Moltmann’s "immanent-transcendence" and Robert K. Johnston’s "God’s wider Presence" into conversation with Confucianist and Daoist ideas of there being, spirituality-speaking, "More in Life than Meets the Eye" than simply material existence. This all combines to move beyond film and allow for a Western audience to gain a new perspective on Chinese culture and traditions. One that uses familiar Western terms, while avoiding the imposition of a Western mindset.

This is a new perspective on cinema, religion and Chinese culture that will be of keen interest to scholars of Religion and Film, Religious Studies, Theology, Sociology of Religion and Chinese Studies.

Kris H.K. Chong (PhD, Fuller Theological Seminary; MPhil, Cambridge University) currently teaches at Baptist Theological Seminary, Singapore. Her work centres around Systematic Theology, Faith and Film and Theology & Culture. She has published in various academic journals in both English and Chinese. She writes Chinese articles for her own column 《海角一方》for Singapore’s leading Chinese newspaper, Lianhe Zaobao 联合早报.

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