Transcending Postmodernism

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A01=Raoul Eshelman
aesthetic theory
aesthetics of transcendence
Author_Raoul Eshelman
Category=DSA
Category=DSBH
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
ethical agency
literary criticism
post-postmodernism
subjectivity studies
temporal chunking

Product details

  • ISBN 9781032359571
  • Weight: 420g
  • Dimensions: 152 x 229mm
  • Publication Date: 21 May 2026
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Transcending Postmodernism: Performatism 2.0 is an ambitious attempt to expand and deepen the theory of performatism. Its main thesis is that, beginning in the mid-1990s, the strategies and norms of postmodernism have been displaced by ones that force readers or viewers to experience effects of aesthetically mediated transcendence. These effects include specific temporal strategies (“chunking”), stylizing separated subjectivity (the genius and the fool being its two main poles) and orienting ethics toward actions taken by centered agents bearing a sacral charge. The book provides a critical overview of other theories of post-postmodernism, and suggests that among five text-oriented theories there is basic agreement on its techniques and strategies.

Raoul Eshelman is a Slavist who received his M.A. and Ph.D. from the University of Constance and who worked primarily at the Ludwig Maximilian University in Munich until his retirement in 2022.

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