Transcultural Poetics and the Concept of the Poet

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A01=Ranjan Ghosh
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Author_Ranjan Ghosh
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Comparative Literature
comparative literature theory
cross-cultural aesthetics
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global literary analysis
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Jonson’s Reader
literary epistemology
Literary Theory
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philosophy of creativity
Poet
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Poetic Creativity
Poetic Intent
poetic subjectivity
Poetics
Poetry
Poet’s Mind
Post-Global
Quantum Creativity
Research
Sanskrit Poetics
Sidney's Idea
Sidney's Poet
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T.S. Eliot
Transcultural Poetics
transcultural poetics methodology
Transnational
World Literature
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Product details

  • ISBN 9781138826311
  • Weight: 430g
  • Dimensions: 152 x 229mm
  • Publication Date: 22 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Critiquing the politics and dynamics of the transcultural poetics of reading literature, this book demonstrates an ambitious understanding of the concept of the poet across a wide range of traditions – Anglo-American, German, French, Arabic, Chinese, Sanskrit, Bengali, Urdu – and philosophies of creativity that are rarely studied side by side. Ghosh carves out unexplored spaces of negotiation and intersections between literature, aesthetics and philosophy. The book demonstrates an original method of ‘global comparison’ that displaces the relatively staid and historicist categories that have underpinned comparative literature approaches so far, since they rarely dare stray beyond issues of influence and schools, or new 'world literature' approaches that affirm cosmopolitanism and transnationalism as overarching themes. Going beyond comparatism and reformulating the chronological patterns of reading, this bold book introduces new methodologies of reading literature to configure the concept of the poet from Philip Sidney to T. S Eliot, reading the notion of the poet through completely new theoretical and epistemic triggers. Commonly known texts and sometimes well-circulated ideas are subjected to refreshing reading in what the author calls the ‘transcultural now’ and (in)fusionised transpoetical matrices. By moving between theories of poetry and literature that come from widely separated times, contexts, and cultures, this book shows the relevance of canonical texts to a theory of the future as marked by post-global concerns.

Ranjan Ghosh teaches in the department of English, University of North Bengal, India. To know more about him please visit his website: http://www.ranjanghosh.com/

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