Transculturation in British Art, 1770-1930
Regular price
€198.40
14 days return policy
Shipping & Delivery
Age Group_Uncategorized
Age Group_Uncategorized
Andrew Stephenson
art historical methodology
automatic-update
B01=Julie F. Codell
B01=JulieF. Codell
B01=Professor Julie F. Codell
B09=Dr Jason Edwards
B09=Dr. Sarah Monks
B09=Dr. Sarah Victoria Turner
B09=Professor David Peters Corbett
British Concession
Category1=Non-Fiction
Category=ACQ
Category=ACV
Category=ACX
Category=AGA
Charm Doctor
Colonial Dominance
colonial visual culture
congo
Congo Free State
contact
Contact Zone
COP=United Kingdom
cross-cultural aesthetics
Dana Arnold
Delivery_Delivery within 10-20 working days
Emily M. Weeks
encounters
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exchanges
free
George Grey
global art exchanges
Horse Guards Parade
Idol Maker
imperial iconography
Japanese Photographers
Jason Edwards
Johannesburg Art Gallery
Julie F. Codell
Kirsty Breedon
Kristina Huneault
Language_English
Le Sculpteur
Luke Gartlan
Mark Stocker
Mary Roberts
Miniature Portraits
Mir Jaffar
Morna O'Neill
Nancy Rose Marshall
over-100
PA=Available
photographic
postcolonial art analysis
Price_€100 and above
PS=Active
Roberts Memorial
Romita Ray
Royal Academy
Sargent's Portraits
Sargent’s Portraits
Selim III
Sir Frank Swettenham
Sir George Grey
softlaunch
South African War
Souvenir Photography
state
studios
Sultan Selim III
Susan Close
Town Hall
transcultural
transcultural British Empire studies
Transcultural Encounters
Young Album
zone
Product details
- ISBN 9781409409779
- Weight: 942g
- Dimensions: 174 x 246mm
- Publication Date: 28 Jun 2012
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Examining colonial art through the lens of transculturation, the essays in this collection assess painting, sculpture, photography, illustration and architecture from 1770 to 1930 to map these art works' complex and unresolved meanings illuminated by the concept of transculturation. Authors explore works in which transculturation itself was being defined, formed, negotiated, and represented in the British Empire and in countries subject to British influence (the Congo Free State, Japan, Turkey) through cross-cultural encounters of two kinds: works created in the colonies subject over time to colonial and to postcolonial spectators' receptions, and copies or multiples of works that traveled across space located in several colonies or between a colony and the metropole, thus subject to multiple cultural interpretations.
Julie F. Codell is Professor of Art History at Arizona State University and Faculty Affiliate in Film and Media Studies, English, Gender and Women's Studies, and the Center for Asian Research.
