Transformational Imagemaking: Handmade Photography Since 1960

Regular price €241.80
A01=Robert Hirsch
alternative photographic processes
alternative process
analog digital hybrid techniques
analog photography
Author_Robert Hirsch
bea nettles
betty hahn
bichromate
binh danh
brian taylor
California State University
Category=AJ
Category=AJCD
catherine jansen
chris mccaw
Chromogenic Color Print
clarissa t. sligh
conceptual photography methods
contemporary experimental photography practices
curtin mann
dan burkholder
dan estabrook
darryl curran
david lebe
dinh q. le
doug starn
douglas d. prince
duane michals
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental image making
gelatin
Gelatin Silver Print
gum
Gum Bichromate
Hand Colored Gelatin Silver Prints
Handmade Photography
Handmade Techniques
harold jones
heinecken
historic processes
holly roberts
jerry
jerry n. uelsmann
jerry spagnoli
Jerry Uelsmann
joel-peter witkin
john metoyer
john wood
joyce neimanas
judith golden
keith a. smith
laurie snyder
les krims
Litho Film
luke batten
maggie taylor
mark osterman
martha madigan
matthew brandt
melanie walker
mike starn
peter bunnell
photographic materiality studies
photography history
photography interviews
Pop Stars
print
rick dingus
robert
robert flynt
robert heinecken
robert w. fichter
Salted Paper Prints
scott mccarney
silver
Smart Phone
stephen berkman
stephen marc
tatana kellner
ted orland
thomas barrow
todd
todd walker
tom persinger
uelsmann
vik muniz
Vincent Van Gogh
visual perception theory
wayne martin belger
william larson
Yossi Milo Gallery
Young Man

Product details

  • ISBN 9781138458048
  • Weight: 630g
  • Dimensions: 219 x 276mm
  • Publication Date: 25 Aug 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This groundbreaking survey of significant work and ideas focuses on imagemakers who have pushed beyond the boundaries of photography as a window on our material world. Through interviews with more than 40 key artists, this book explores a diverse group of curious experimentalists who have propelled the medium‘s evolution by visualizing their subject matter as it originates from their minds eye. Many favor the historical techniques commonly known as alternative photographic processes, but all these makers demonstrate that the real alternative is found in their mental approach and not in their use of physical methods. Within this context, photographer and photography historian Robert Hirsch outlines the varied approaches these artists have utilized to question conventional photographic practices, to convey internal realities, and to examine what constitutes photographic reality. Hirsch explores the half-century evolution of these concepts and methodologies and their popularity among contemporary imagemakers who are merging digital and analog processes to express what was thought to be photographically inexpressible.
Read an interview with the author at Photo.net: http://photo.net/learn/photographer-interviews/robert-hirsch

Robert Hirsch is a photographic imagemaker, historian, and writer. Former executive director of CEPA Gallery and now director of Light Research in Buffalo, NY, he has published scores of articles about visual culture and has interviewed many significant photographers of our time. His books include Light and Lens: Photography in the Digital Age; Exploring Color Photography: From Film to Pixels; Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes; and Seizing the Light: A Social History of Photography. A former associate editor for Digital Camera (UK) and Photovision, Hirsch is a regular contributor to Photo Technique. He has also written for Afterimage, exposure, History of Photography, The Photo Review, and World Book Encyclopedia, among others. He has curated over 200 exhibitions, and had many one-person and group shows of his own work. For details visit: www.lightresearch.net