Transformations in Late Eighteenth-Century Art

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A01=Robert Rosenblum
Aeschylus
Allusion
Angelica Kauffman
Archaeology
Author_Robert Rosenblum
Baroque
Bourbon Restoration
Caravaggio
Category=ABA
Category=AGA
Charles Percier
Charles-Nicolas Cochin
Charlotte Corday
Classical architecture
Classicism
Corinthian order
Counter-Reformation
Derby Museum and Art Gallery
Doric order
Edgar Wind
Engraving
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Erudition
Euripides
Evocation
Exemplum
Exhibition catalogue
French art
Friedrich Gilly
Gavin Hamilton (artist)
Gazette des Beaux-Arts
Giotto
Giulio Romano
Gothic Revival architecture
Henry Fuseli
Historicism
Historicism (art)
History painting
Hubert Robert
Iconography
Illustration
Jacques Derrida
Jacques-Louis David
Jean-Auguste-Dominique Ingres
Jean-Jacques Rousseau
Jean-Joseph Taillasson
John Boydell
John Flaxman
Joseph Wright of Derby
July Monarchy
Mannerism
Medievalism
Modern history
Napoleon
Neoclassical architecture
Neoclassicism
Ossian
Paestum
Painting
Parmigianino
Political revolution
Primitivism
Renaissance art
Richard Cumberland (dramatist)
Rococo
Romanticism
Siege of Lille (1667)
Sophocles
The Course of Empire
The End of the Soul
Timoleon
Titian
Toulouse
Valerius Maximus

Product details

  • ISBN 9780691003023
  • Weight: 510g
  • Dimensions: 152 x 235mm
  • Publication Date: 21 Oct 1970
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Paperback
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The importance of the late 18th century in the genesis of modern art emerges in these four essays on various aspects of the art and architecture of a neglected period.
Robert Rosenblum (1927–2006) was professor of modern European art at New York University’s Institute of Fine Arts and curator of twentieth-century art at the Guggenheim Museum. His books include The Dog in Art: From Rococo to Post-Modernism; Modern Painting and the Northern Romantic Tradition: Friedrich to Rothko; and Cubism and Twentieth Century Art.

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