Transformatnl Theory Aesthetcs

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A01=Michael Stephan
A01=Trevor Pateman
ACMs and ACLMs
Aesthetic Experience
Affective Import
Author_Michael Stephan
Author_Trevor Pateman
automatic
Basic Body Movement
Category=AB
Category=AVLP
Category=JBCC1
Category=JMR
Category=QDTN
Cathectic transference
cerebral lateralisation
Cerebral Specialization
Children's Drawing
Children’s Drawing
Chimeric Face
Choice Array
cognitive science of art perception
Corpus Callosum
Cross-cuing
Cross-modal referencing
Dichotic listening
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Existential Life
Existential Plane
Georg Gisze
Intersensorially Perceived
intuitive
Left Hemisphere
neuroaesthetics
Paradoxical Plane
picture perception
Pre-iconographical Description
Representational Image
Respective Hemispheres
Response Tendencies
right brain processing
semiotic analysis
Snow Scene
Split Brain Syndrome
Tachistoscopic presentation
The cerebral cortex
The discursive plane
The incomplete image
The paradoxical plane
The Wada test
Vice Versa
visual cognition
Young Men

Product details

  • ISBN 9780415041966
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 02 Aug 1990
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First Published in 1990. How we perceive and respond to the visual image has been a traditional concern of psychologists, philosophers and art historians. Today, where the visual image increasingly permeates our everyday life and consciousness, the question becomes ever more relevant. How do we, for instance, instinctively ‘know’ what it is that a picture represents without having to be taught? How is it that we experience (aesthetic) pleasure in looking at certain pictures? How is it that we often want to talk about the pictures we look at? Such questions are currently asked by a wide range of disciplines, including: semiotics, psychoanalysis, anthropology, neuropsychology, and in general, contemporary critical analysis of the visual arts. In A Transformational Theory of Aesthetics, Michael Stephan breaks new ground by linking the findings of these areas. Drawing on their common area of knowledge, he has developed a radically new theory of picture perception and aesthetic response, arguing that images can generate in us a complex pattern of mental changes, or transformations. This is because the left and right hemispheres of the brain do not always work in harmony, hence the wide-ranging nature of aesthetic response to distinct art forms. A Transformational Theory of Aesthetics is essential reading to those seriously involved in linking the arts and cognitive sciences.

Michael Stephan was born in 1948 in St Helier, Jersey. He currently lectures in the University of London and completed his doctoral research in the University of Sussex. He was a postgraduate Fine Art student at the Slade School, University College, London and has exhibited his work widely in Britain and Europe. Trevor Pateman (Author)

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