Transgressive Language in Medieval English Drama

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A01=Lynn Forest-Hill
Abusive Exchanges
Anticlerical Satire
Author_Lynn Forest-Hill
Bawdy Language
Biblical Plays
Category=DSBB
Category=DSG
Category=JB
Chester Shepherds
Earlier Moralities
early modern English culture
english drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Evil Lords
Evil Rulers
Fifteenth Century Moralities
King Johan
language
linguistic characterisation
Low Status Characters
Ludic Context
Macro Plays
medieval
Medieval Drama
Medieval Society
medieval theatre studies
Miraclis Pleyinge
Morality Dramatists
Morality Genre
morality play analysis
Noah's Wife
Noah’s Wife
Prosodic Style
religious dissent drama
Scatological Language
Scatological References
Sinful Language
sixteenth century dramatic language shift
Sixteenth Century Moralities
social commentary literature
transgressive
Transgressive Language

Product details

  • ISBN 9781138718692
  • Weight: 260g
  • Dimensions: 152 x 229mm
  • Publication Date: 11 Nov 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This title was first published in 2000: Insults, abuse, oaths, scatological and bawdy language - these form the subject of Lynn Forest-Hill's study on "bad" language in the late Middle Ages. She demonstrates how, in mediaeval mystery plays and morality plays, dramatists used outrageous language with great sophistication and subtlety to create characterizations and define characters' moral status, to reflect on social conditions, to condemn social evils, and to comment upon sensitive cultural, political and religious topics of the 16th century. The author begins by defining what constitutes sinful or transgressive language in the later mediaeval period, and establishes its moral significance. She then illustrates how the moral significance of language is used in drama to define the spiritual and social status of characters, and introduces the concept of sinful language as a sign of spiritual change. In later chapters the book explores the use of "bad" language in mystery and morality plays, focusing specifically on Skelton's "Magnyfycence", Heywood's "The Play of the Weather", and Bale's "King Johan". The study shows the extent to which the moral significance of language in drama shifted during the 16th century under pressure from cultural and political change, paving the way for less morally rigorous and more socially sensitive definitions of "bad" language.

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