Translating Theories

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A01=Guohua Zhu
art criticism digital era
Author_Guohua Zhu
canonisation processes
Category=CFP
Category=DSA
Category=DSB
Category=GTM
Chinese diaspora scholarship
Chinese literary theory
Comparative Literature
Critical Examination
Cultural Adaptation
Cultural context
cultural identity formation
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
highbrow versus popular literature
literary canonisation in modern China
Literary Criticism
Literary Phenomena
Literary Research
Sinophone literary studies
Western Literary Theories

Product details

  • ISBN 9781032860015
  • Weight: 640g
  • Dimensions: 156 x 234mm
  • Publication Date: 16 Dec 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Guohua Zhu unveils the last two decades of Chinese literary theory and research, offering a glimpse into the evolving dialogue between Eastern and Western theoretical frameworks within China's cultural landscape.

Initially focusing on unique Chinese literary phenomena, Zhu’s research culminates in the critical examination of the effectiveness of Western theories within the Chinese cultural context. Drawing upon works from key Chinese literary figures, the book offers a comprehensive understanding of literary realities in China and the constructive roles played by Western theories in Chinese cultural activities. Through detailed examinations of literary canonization processes, cultural identity formation, and the challenges facing art criticism in the digital age, the volume provides readers with nuanced insights into the complex interplay between traditional Chinese artistic values and modern global influences.

A vital resource for students and scholars in Chinese literature, Sinophone studies, cultural studies, Chinese diaspora, and overseas Chinese studies.

Guohua Zhu is Changjiang Scholars Program Distinguished Professor, dean of School of International Chinese Studies, East China Normal University, editor-in-chief of TSLA (Theoretical Studies in Literature and Art), and chair of Chinese Association of Literary Theory, specializing in Eastern and Western literary theories. His books include The Cultural Logic of Power: Bourdieu’s Sociological Poetics (2016 expanded edition).

Riccardo Moratto is Distinguished Professor (特聘教授) at the School of Foreign Studies (SFS), Tongji University, Deputy Director of the Research Center for Chinese Discourse and Global Communication, AIIC member, expert member of the Translators Association of China (TAC), Standing Council Member of WITTA, and member of numerous other associations. Prof. Moratto would like to acknowledge the Fundamental Research Funds for the Central Universities.

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