Transmedia Practices in the Long Nineteenth Century

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Arthur Conan Doyle
Artist's Model
Artist’s Model
audience engagement
audience participation history
Board Game
Category=JBCT
Category=NHTB
Charles Dickens
City Mystery
cultural production analysis
Du Maurier
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Female Public Speech
George Newnes
Great Detective
historical transmedia audience engagement
historicity
Holmes Character
Holmes Stories
Joseph Pulitzer's World
Joseph Pulitzer’s World
Kewpie Dolls
Kewpies
media convergence theory
Monk Hall
National Police Gazette
Nellie Bly
nineteenth century
nineteenth-century communication
penny dreadful
People's Palace
People’s Palace
Pulitzer's World
Pulitzer’s World
Quaker City
seriality in print culture
serialization
Sherlock Holmes
Strand Magazine
suffragettes
Transmedia Experience
Transmedia Phenomenon
transmedia practices
Transmedia Storytelling
Transmedial Experience
Transmediality
Twain's Story
Twain’s Story
Victorian media
Victorian media studies
Woman's Home Companion
Woman’s Home Companion
Yellow Kid

Product details

  • ISBN 9781032110943
  • Weight: 460g
  • Dimensions: 156 x 234mm
  • Publication Date: 24 Feb 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This volume provides engaging accounts with transmedia practices in the long nineteenth century and offers model analyses of Victorian media (e.g., theater, advertising, books, games, newspapers) alongside the technological, economic, and cultural conditions under which they emerged in the Anglophone world.

By exploring engagement tactics and forms of audience participation, the book affords insight into the role that social agents – e.g., individual authors, publishing houses, theatre show producers, lithograph companies, toy manufacturers, newspaper syndicates, or advertisers – played in the production, distribution, and consumption of Victorian media. It considers such examples as Sherlock Holmes, Kewpie Dolls, media forms and practices such as cut-outs, popular lectures, telephone conversations or early theater broadcasting, and such authors as Nellie Bly, Mark Twain, and Walter Besant, offering insight into the variety of transmedia practices present in the long nineteenth century.

The book brings together methods and theories from comics studies, communication and media studies, English and American studies, narratology and more, and proposes fresh ways to think about transmediality. Though the target audiences are students, teachers, and scholars in the humanities, the book will also resonate with non-academic readers interested in how media contents are produced, disseminated, and consumed, and with what implications.

Christina Meyer is Associate Professor of American Studies, currently working at the TU Braunschweig, Germany. She is the author of Producing Mass Entertainment: The Serial Life of the Yellow Kid (2019).

Monika Pietrzak-Franger is Professor of British Cultural and Literary Studies at the University of Vienna, Austria. She has published on adaptation, transmediality, medicine and culture, (neo-)Victorianism, science, and globalization.