Regular price €31.99
A01=Daniel York Loh
A01=Dante or Die
A01=Dead Centre
A01=Fehinti Balogun
A01=Heather Christian
A01=Ike Holter
A01=Mark O'Connell
A01=Ontroerend Goed
Accessible Theatre
AR Theatre
Author_Daniel York Loh
Author_Dante or Die
Author_Dead Centre
Author_Fehinti Balogun
Author_Heather Christian
Author_Ike Holter
Author_Mark O'Connell
Author_Ontroerend Goed
Category=DDC
Category=UDBS
Covid Theatre
Digital Platforms
eq_bestseller
eq_biography-true-stories
eq_computing
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_poetry
Hybrid Theatre
Lockdown Theatre
Online Theatre
Political Theatre
Virtual Theatre
VR Theatre

Product details

  • ISBN 9781350496521
  • Weight: 380g
  • Dimensions: 156 x 230mm
  • Publication Date: 15 May 2025
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
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Between 2020 and 2022, theatre had to adapt and, in doing so, challenged ideas of what was possible – and what was even 'theatre'.

Due to the global pandemic, an exceptional and wide range of works were made for, or adapted to, brand new conditions and limitations. While these works are defined by interpandemic conditions in the Anthropocene, they serve as portals to thinking about theatre-making in the future.

Gathered in this collection are pieces adapted or made for podcast theatre, a livestream illusionist interactive performance, an audience-uploaded hybrid performance, one-on-one online interaction, lip-synch opera-theatre, climate crisis activist manifesto film/theatre, spoken word and gaming installation art and multi-location broadcast plays, providing an accessible introduction to 'Transmedia' theatre.

Transmedia theatre has been a boundary-breaking and rich area of performance since the 1990s, but the (by necessity) explosion of works that were created during the early years of the pandemic signalled a new, exciting and accessible method by which theatre-makers could share their work and also challenge their own practices.

While these specific works are markers of a specific time in performance history, they also point ways forward, not only in terms of form and function, but in how educators, students and fellow practitioners could conceive of re-staging these works in person and/or on digital platforms.

For a generation that has grown up online, whose vocabularies of expression are as much digitally native as they are IRL, transmedia theatre, and the realm too of VR and AR story and audience design which it borders, holds a firm place in busting open the realm of the possible.

Caridad Svich is a playwright, associate editor of Contemporary Theatre Review and founder of NoPassport theatre alliance and press. She received a 2012 OBIE Award for Lifetime Achievement and the 2011 American Theatre Critics Association Primus Prize for The House of the Spirits. She has edited several books on theatre including Audience Revolution and Innovation in Five Acts (2016 and 2015), Out of Silence: Censorship in Theatre & Performance (2014), and Trans-Global Readings (2004).