Transnational Cinema at the Borders

Regular price €51.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Accented Cinema
Acqua Alta
border security discourse
Border Spaces
Borderland Practice
borderscapes
Category=ATF
Category=JBCC1
Category=JBCT
Category=JPWC
Celestino Deleyto
cinematic imaginary
cinematic representations of migration
contemporary cinema
Cosmopolitan Canopy
Cosmopolitan Encounters
Diasporic Filmmaking
Diasporic Films
digital technology
Dubai International Film Festival
DVD Extra
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
European integration research
Exile Filmmaker
film production
film studies
Grandes Personnes
Immigrant Filmmakers
Interstitial Mode
John Sundholm
Lars Gustaf Andersson
Michael Gott
Michelle Williams Gamaker
Mieke Bal
migration theory
Miguel Fernez Labayen
Military Court System
Minor Cinemas
Palestinian Film
political film-making
postnational identity
Soft Borders
Spanish Cinema
Transnational Cinema
Tv Image
VFR Tourism
Vicente Rodriguez Ortega
visual sociology
West Bank Wall
Western Sahara
Young Men

Product details

  • ISBN 9780367519070
  • Weight: 260g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

In tandem with a postnational imaginary which is nurtured by the ever-present promise of deterritorialized mobility and burgeoning migratory fluxes, walls and fences separating nation-states multiply. This is a burning issue: even though nation states at the centre of the global order increasingly present themselves as postnational, calls for tighter border security undermine utopian notions of both a borderless New Europe and the USA as the Promised Land. This collection investigates the urgent issue of borderscapes and the cinematic imaginary by bringing together a range of new approaches in the field of film and media studies, crossing over into sociology, migration studies and artistic research. The contributions focus on the interrelated motifs of borderscapes as they are represented and used in transnational cinematographies, from Palestine to Sweden, Spain, Finland, Italy, Iran, Iraq, France, the UK and US, and as constituting premises of cinematic production. The chapters in this book were originally published in the Transnational Cinemas journal.

Ana Cristina Mendes is Assistant Professor of English Studies in the School of Arts and Humanities at the University of Lisbon, Portugal. Her areas of specialization are cultural and postcolonial studies, with an emphasis on the representations and reception of alterity in the global cultural marketplace. John Sundholm is Professor of Film Studies and Head of the Department of Media Studies at Stockholm University, Sweden. He has published widely on minor cinemas and memory studies. He also works as a film programmer/curator and is affiiated to the PhD program in Fine Arts at the University of the Arts in Helsinki, Finland.