Transnational Exchange in Early Modern Theater

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andreini
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commedia dell'arte influence
cross-cultural performance
cultural transfer studies
De La Torre
early modern drama
Early Modern English
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Giovan Battista Andreini
Guarini's Il Pastor Fido
Guarini’s Il Pastor Fido
henke
Il Pastor Fido
isabella
italian
Italian Pastoral
Italian Pastoral Plays
Italian Popular Comedy
La Foole
Louvre Painting
Maiden's Tragedy
Maiden’s Tragedy
Midsummer Night's Dream
Midsummer Night’s Dream
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Ophelia's Mad Scene
Ophelia’s Mad Scene
Orlando Di Lasso
Page Boy
pastoral
performance theory
plays
polyglot theatre history
robert
Sabine Women
St Ia
Stage Turk
STC.
transregional stage exchange research
vincenza
Young Man
zan
Zan Ganassa
Zuan Polo

Product details

  • ISBN 9780754662815
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 28 May 2008
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Emphasizing a performative and stage-centered approach, this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political, linguistic, and cultural borders (both "national" and "regional") but also in the ways that it enacted them. Contributors study various modalities of exchange, including the material and causal influence of one theater upon another, as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence, such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing "foreign" roles; and polyglot linguistic resonances that evoke circum-Mediterranean "cultural geographies." In analyzing theater as a medium of dialogic communication, the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.
Robert Henke is Professor of Drama and Comparative Literature at Washington University in St. Louis, USA, the author of Pastoral Transformations: Italian Tragicomedy and Shakespeare's Late Plays (1997) and Performance and Literature in the Commedia dell'Arte (2002). Eric Nicholson is a Lecturer at Syracuse University in Florence, where he teaches courses in comedy and theater. He has directed over twenty full-scale productions of plays by Shakespeare, Molière, Flaminio Scala, and others.

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