Transnational Horror Across Visual Media

Regular price €63.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
1970s Exploitation Cinema
Beast People
Category=AB
Category=ATFA
Category=ATFN
Category=JBCC1
Category=JBCT
Category=JBCT2
Category=NH
cinema
culture
Deep Crimson
Devil's Backbone
Devil’s Backbone
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
film
Game Developers
genre
global
Horror Film
Horror Genre
Horror Movies
Human Centipede
international
La Piel Que Habito
local
Mad Scientist
Main Characters
Mojica Marins
National Censorship
Pan's Labyrinth
Pan’s Labyrinth
Sadean Libertine
Soothing System
strayer
studies
Supernatural Horror
television
Torture Porn
Transnational Horror
Vampire Films
Vampire Hunter
Young Man
Zombie Films

Product details

  • ISBN 9781138549005
  • Weight: 500g
  • Dimensions: 152 x 229mm
  • Publication Date: 05 Feb 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.

 Dana Och is a Lecturer in English and Film Studies at the University of Pittsburgh. She has recently published in Irish Cinema in International Journal of Diversity in Organizations, Communities and Nations, and in a previous anthology in Genre in Cinema: Ireland and Transnationalism by Routledge Press. Kirsten Strayer is a Lecturer at the University of Pittsburgh. She has recently published in various anthologies and in Literature/Film Quarterly.