Transnational Musicians

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A01=Beata M. Kowalczyk
Author_Beata M. Kowalczyk
Category=JBFH
Category=JHB
Category=JHBL
Category=JP
CCI
Chopin
Chopin's Music
Chopin’s Music
Classical Music
classical music careers
Classical Music Industry
Classical Music Profession
Classical Music Sector
Classical musicianship
creative labour migration
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Ethnocultural affiliation
ethnographic fieldwork
Female Musicians
Female Pianist
Fryderyk Chopin
gendered cultural industries
Held
High Individualisation
Institutionalised Cultural Capitals
Japanese artists
Japanese Classical Musicians
Japanese diaspora studies
Japanese Music
Male Musicians
Middling Migrants
Music Education
Music Milieu
neoliberal meritocracy critique
Postcolonialism
Precarious Labour Conditions
Stay Permit
Transnational Career
transnational classical musician experiences
Transnational Music
Transnational Musicians
Unstable
Young Man

Product details

  • ISBN 9780367418502
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Informed by theories pertaining to transnational mobility, ethnicity and race, gender, postcolonialism, as well as Japanese studies, Transnational Musicians explores the way Japanese musicians establish their transnational careers in the hierarchically structured classical music world.

Drawing on rich material from multi-sited fieldwork and in-depth interviews with Japanese artists in Japan, France and Poland, this study portrays the structurally – and individually – conditioned opportunities and constraints of becoming a transnational classical musician. It shows how transnational artists strive to conciliate the irreconcilable: their professional identification with the dominant image of ‘rootless’ classical musicianship and their ethnocultural affiliation with Japan. As such this book critically engages with the neoliberal discourse on talent and meritocracy prevailing in the creative/cultural industry, which promotes the common image of cosmopolitan artists, whose high, universal skills allow them to carry out their occupational activity internationally, regardless of such prescriptive criteria as gender, ethnicity and race.

Highly interdisciplinary, this book will appeal to students and researchers interested in such fields as migration, transnational mobility, ethnicity and race in the creative/cultural sector, gender studies, Japanese culture and other related social issues. It will also be instructive for professionals from the world of classical music, as well as ordinary readers passionate about Japanese society.

Beata M. Kowalczyk is an Assistant Professor at the Faculty of Sociology, Adam Mickiewicz University, Poznań, Poland.

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