Transnationalism of American Culture

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American
American Education
American studies research
Boy Named Sue
Cash Songs
Category=DSB
Category=GTM
Category=JBCC
Category=JPS
Country Music
cross-cultural exchange
cultural commodification
cultural globalization
Diasporan Caribbeans
Dirty Pretty Things
Dylan Songs
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eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film
Folsom Prison Blues
Food Films
Food Scenes
Frears's Dirty Pretty Things
Frears’s Dirty Pretty Things
Harlem Renaissance
Hospitality Paradigm
identity formation
Johnny Cash
Kincaid's Work
Kincaid’s Work
Literature
migration narratives
Music
NATO Base
NATO Force
Research
South Asian Americans
South Asian Diasporic Cinema
Transnational
Transnational American Studies
transnational cultural production analysis
Uninvited Guests
Viktor Navorski
White America
Young Man
Zoe

Product details

  • ISBN 9781138108455
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book studies the transnational nature of American cultural production, specifically literature, film, and music, examining how these serve as ways of perceiving the United States and American culture. The volume’s engagement with the reality of transnationalism focuses on material examples that allow for an exploration of concrete manifestations of this phenomenon and trace its development within and outside the United States.

Contributors consider the ways in which artifacts or manifestations of American culture have traveled and what has happened to the texts in the process, inviting readers to examine the nature of the transnational turn by highlighting the cultural products that represent and produce it. Emphasis on literature, film, and music allows for nuanced perspectives on the way a global phenomenon is enacted in American texts within the U.S, also illustrating the commodification of American culture as these texts travel.

The volume therefore serves as a coherent examination of the critical and creative repercussions of transnationalism, and, by juxtaposing a discussion of creativity with critical paradigms, unveils how transnationalism has become one of the constitutive modes of cultural production in the 21st century.

Rocío G. Davis is Professor of English at the City University of Hong Kong, China.