Travel Marketing and Popular Photography in Britain, 1888–1939

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A01=Sara Dominici
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amateur camera technology
Author_Sara Dominici
Bernese Oberland
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Britain
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Commercial Art
Commercial Illustrations
commercial visual communication
compact cameras
consumerism
early 20th century travel imagery analysis
England
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
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eq_nobargain
eq_non-fiction
eq_society-politics
eq_travel
Great Eastern Railway Company
history of photography
interwar British society
Kodak
Lantern Lectures
leisure time
marketing
middle class
Mitchell's Management
Mitchell’s Management
nineteenth century
Official Photographer
Photographic Competition
photographic competitions
photographic consumerism
Photographic Practices
Polytechnic Touring
Polytechnic Touring Association
Popular Photographic Practices
Popular Photography
Prospective Tourists
PTA Offer
Rational Recreation Movement
Royal Watercolour Society
souvenirs
Summer Brochure
Tour Goers
Tour Reunions
tourism
tourism history research
tourism studies
Tourist Photographers
Travel Firms
Travel Image
travel images
Travel Photography
twentieth century
United Kingdom
visual culture
visual culture studies
Young Men

Product details

  • ISBN 9781032476605
  • Weight: 426g
  • Dimensions: 178 x 254mm
  • Publication Date: 21 Jan 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book explores how popular photography influenced the representation of travel in Britain in the period from the Kodak-led emergence of compact cameras in 1888, to 1939. The book examines the implications of people’s increasing familiarity with the language and possibilities of photography on the representation of travel as educational concerns gave way to commercial imperatives. Sara Dominici takes as a touchstone the first fifty years of activity of the Polytechnic Touring Association (PTA), a London-based philanthropic-turned-commercial travel firm. As the book reveals, the relationship between popular photography and travel marketing was shaped by the different desires and expectations that consumers and institutions bestowed on photography: this was the struggle for the interpretation of the travel image.

Sara Dominici is a Lecturer in Cultural Studies and Course Leader for the MA in Art and Visual Culture at the University of Westminster, London. Her writing focuses on the history and culture of photography, the relationship between photography and the archive, and cultural studies.

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