Tree of Jesse Iconography in Northern Europe in the Fifteenth and Sixteenth Centuries

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A01=Susan L. Green
Abridged Tree
altarpiece
altarpiece analysis
Antwerp
art and religion
Artist's Models
Artist’s Models
Author_Susan L. Green
Axial Chapel
Balaam's Prophecy
Balaam’s Prophecy
Biblia Pauperum
Carmelite Church
Carmelite Monastery
Category=AGA
Category=AGR
Category=QRAX
Central Shrine
Champagne Region
Christ
Christ Child
Christian genealogy art
Christian iconography
Christianity
Commemorative Function
communal identity symbolism
Confraternity Membership
Crescent Moon
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
genealogy
Holy Kinship
iconography
Immaculate Conception
Isaiah's Prophecy
Isaiah’s Prophecy
late medieval art
late medieval iconography
late medieval period
Lignum Vitae
Mary Cleophas
Matrilineal Genealogy
mendicant orders
Miracle Spring
National Library
Northern Europe
Northern European art
Northern European religious imagery evolution
patronage
pilgrimage
pre-Reformation
religious imagery
religious orders
religious visual culture
Saint Aignan
Saint Anne
Speculum Humanae Salvationis
Stained Glass
Young Men

Product details

  • ISBN 9780815393771
  • Weight: 612g
  • Dimensions: 174 x 246mm
  • Publication Date: 05 Nov 2018
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
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This book is the first detailed investigation to focus on the late medieval use of Tree of Jesse imagery, traditionally a representation of the genealogical tree of Christ. In northern Europe, from the mid-fifteenth to the early sixteenth centuries, it could be found across a wide range of media. Yet, as this book vividly illustrates, it had evolved beyond a simple genealogy into something more complex, which could be modified to satisfy specific religious requirements. It was also able to function on a more temporal level, reflecting not only a clerical preoccupation with a sense of communal identity, but a more general interest in displaying a family’s heritage, continuity and/or social status. It is this dynamic and polyvalent element that makes the subject so fascinating.

Susan L. Green is an associate lecturer at the Courtauld Institute of Art and visiting lecturer at the New College of the Humanities, London.

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