Trees in Nineteenth-Century English Fiction

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A01=Anna Burton
Ancient Trees
Arboreal Association
arboreal discourse
Arboreal Strata
Arborealism
Arboretum Britannicum
Author_Anna Burton
Category=DSBF
Category=DSK
Deforestation
deforestation studies
Delicious Air
Dorset History Centre
Elizabeth Gaskell
environmental humanities
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Forest Scenery
Gaskell's Fiction
Gaskell's Heroine
Gaskell's Work
Gaskell’s Fiction
Gaskell’s Heroine
Gaskell’s Work
George Du Maurier
Gilpin's Work
Gilpin’s Work
Hardy's Map
Hardy’s Map
Henry III
Jane Austen
Landscaping
literary ecocriticism
Mansfield Park
Medical Geography
Medical Topography
Mrs Charmond
natural history literature
Nineteenth Century English Fiction
nineteenth-century landscape
Park Wall
picturesque
Picturesque Beauty
Public health
realist novel environmental representation
Thomas Hardy
Tree Spaces
Upas Tree
Vice Versa
Wellcome Collection
William Gilpin

Product details

  • ISBN 9780367369040
  • Weight: 590g
  • Dimensions: 156 x 234mm
  • Publication Date: 29 Mar 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This is a book about a longstanding network of writers and writings that celebrate the aesthetic, socio-political, scientific, ecological, geographical, and historical value of trees and tree spaces in the landscape; and it is a study of the effect of this tree-writing upon the novel form in the long nineteenth century.

Trees in Nineteenth-Century English Fiction: The Silvicultural Novel identifies the picturesque thinker William Gilpin as a significant influence in this literary and environmental tradition. Remarks on Forest Scenery (1791) is formed by Gilpin’s own observations of trees, forests, and his New Forest home specifically; but it is also the product of tree-stories collected from ‘travellers and historians’ that came before him. This study tracks the impact of this accumulating arboreal discourse upon nineteenth-century environmental writers such as John Claudius Loudon, Jacob George Strutt, William Howitt, and Mary Roberts, and its influence on varied dialogues surrounding natural history, agriculture, landscaping, deforestation, and public health. Building upon this concept of an ongoing silvicultural discussion, the monograph examines how novelists in the realist mode engage with this discourse and use their understanding of arboreal space and its cultural worth in order to transform their own fictional environments. Through their novelistic framing of single trees, clumps, forests, ancient woodlands, and man-made plantations, Jane Austen, Elizabeth Gaskell, and Thomas Hardy feature as authors of particular interest. Collectively, in their environmental representations, these novelists engage with a broad range of silvicultural conversation in their writing of space at the beginning, middle, and end of the nineteenth century.

This book will be of great interest to students, researchers, and academics working in the environmental humanities, long nineteenth-century literature, nature writing and environmental literature, environmental history, ecocriticism, and literature and science scholarship.

Anna Burton is an early career researcher and teaching fellow at the University of Liverpool. Her research interests include long nineteenth-century literature, natural history, nature writing, and the afterlives of the ‘Picturesque’.

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