Tropical Gothic in Literature and Culture

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Alvares de Azevedo
American Imperial Gothic
American Tropics
Americas
Argentina
Aves Sin Nido
Brazil
Brazilian Literature
Caribbean
Caribbean supernatural
Casa Tomada
Category=ATF
Category=ATJ
Category=DS
Category=DSB
Category=DSK
Category=JBCC1
Colonial
Comparative Literature
Costa Rico
Cultural Studies
Dead Island
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Film
Gothic
Gothic Imagination
Haitian Identity
Haitian Voodoo
haunted landscapes analysis
Imperial Gothic
indigenous cultural memory
La Buena
La Llorona
Latin American Gothic
Latin American horror
Latin American Literary Studies
Latin American Literature
Literary Nationalism
Literature
Lot's Wife
Lot’s Wife
Mexico
Mojica Marins
Nation Building
Popular Culture
Postcolonial
postcolonial studies
Research
Silent House
slave trade legacy
Smith's Film
Smith’s Film
South Eastern USA
Southern Gothic
Sub-tropical
Surf Noir
Transnational
transnational gothic literature research
Transnational South
Tropical
Tropical Gothic
Tropicality
TV
Vice Versa
Video Games
Videogames
White Zombie
Young Man
Zombie
Zombie Apocalypse

Product details

  • ISBN 9780367873561
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Tropical Gothic examines Gothic within a specific geographical area of ‘the South’ of the Americas. In so doing, we structure the book around geographical coordinates (from North to South) and move between various national traditions of the gothic (Mexico, Argentina, Brazil, etc) alongside regional manifestations of the Gothic (the US south and the Caribbean) as well as transnational movements of the Gothic within the Americas. The reflections on national traditions of the Gothic in this volume add to the critical body of literature on specific languages or particular nations, such as Scottish Gothic, American Gothic, Canadian Gothic, German Gothic, Kiwi Gothic, etc. This is significant because, while the Southern Gothic in the US has been thoroughly explored, there is a gap in the critical literature about the Gothic in the larger context of region of ‘the South’ in the Americas. This volume does not pretend to be a comprehensive examination of tropical Gothic in the Americas; rather, it pinpoints a variety of locations where this form of the Gothic emerges. In so doing, the transnational interventions of the Gothic in this book read the flows of Gothic forms across borders and geographical regions to tease out the complexities of Gothic cultural production within cultural and linguistic translations. Tropical Gothic includes, but is by no means limited to, a reflection on a region where European colonial powers fought intensively against indigenous populations and against each other for control of land and resources. In other cases, the vast populations of African slaves were transported, endowing these regions with a cultural inheritance that all the nations involved are still trying to comprehend. The volume reflects on how these histories influence the Gothic in this region.

Justin D. Edwards is Professor of English at the University of Surrey, UK.

Sandra Guardini T. Vasconcelos is Professor of English Literature and Comparative Literature at the University of São Paulo, Brazil.