Troubling Late Modernism
Regular price
€108.99
A01=Doug Battersby
Age Group_Uncategorized
Age Group_Uncategorized
Author_Doug Battersby
automatic-update
Category1=Non-Fiction
Category=DSBH
Category=DSK
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_bestseller
eq_biography-true-stories
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Language_English
PA=Available
Price_€50 to €100
PS=Active
softlaunch
Product details
- ISBN 9780192863331
- Weight: 636g
- Dimensions: 163 x 241mm
- Publication Date: 27 Oct 2022
- Publisher: Oxford University Press
- Publication City/Country: GB
- Product Form: Hardback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
In the late nineteenth and early twentieth centuries, modernist writers developed new techniques for depicting characters' thoughts, feelings, and desires that revolutionized the novel form--a revolution novelists and critics are still reckoning with today. Troubling Late Modernism tracks how those techniques have been perversely reinvented by some of the most influential and innovative writers of the postwar period. Chapters on Vladimir Nabokov, Samuel Beckett, Toni Morrison, John Banville, J. M. Coetzee, and Eimear McBride reveal how these writers at once exploit and extend modernist forms of narration to cultivate disquieting affective attachments to protagonists compelled by violent or exploitative sexual desires. By interrogating the expressive power and ethical liabilities of modes of writing that give us intimate access to characters' inner lives, late modernism poses fundamental philosophical questions about emotion and its inseparability from knowledge and ethical deliberation. Whilst other historians of the novel have characterized late modernism's formal innovations as ethically and politically edifying, Troubling Late Modernism highlights their more disquieting potential for lending sympathy and profundity to sentiments deemed inadmissible in our everyday lives.
Charting late modernism's characteristic fusion of aesthetic difficulty with emotional and ethical provocation demands an approach attuned to the experience of reading these disturbingly erotic narratives. In dialogue with recent debates about critical method, Troubling Late Modernism presents a new way of closely reading prose fiction that brings together the lessons of formalism and affect theory.
Doug Battersby is a Marie Skłodowska-Curie Global Fellow at the University of Bristol and Stanford University. After studying at the University of Leeds, University College London, Trinity College Dublin, and the University of York, he took up a Postdoctoral Fellowship at the University of Tokyo and then a Leverhulme Early Career Fellowship at the University of Bristol. His research focuses on the theory and history of the novel in English.
