Trust in the World

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A01=Josef Fruchtl
Abbas Kiarostami
Aesthetic Gesture
Aesthetic Presence
aesthetics
Amor Dei Intellectualis
as-if
Author_Josef Fruchtl
belief
Category=ATF
Category=JBCT
Category=QD
Category=QDTN
Cavell philosophy of film analysis
Conditio Humana
Continental aesthetics
continental philosophy
critical theory
Deleuze cinema theory
Deleuze's Terminology
Deleuze’s Terminology
Eastwood's Unforgiven
Eastwood’s Unforgiven
English Translation Edition
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film aesthetics
film as philosophy
film theory
Ford's Masterpiece
Ford’s Masterpiece
Gilles Deleuze
Giorgio Agamben
Good Life
Heidegger's Early Works
Heidegger’s Early Works
Jacques Ranciere
Jean-Luc Nancy
Josef Fruchtl
Kant
Kantian aesthetics
Kiarostami's Films
Kiarostami's Work
Kiarostami’s Films
Kiarostami’s Work
Modernity
modernity subjectivity
Mohsen Makhmalbaf
Nancy's Ontology
Nancy’s Ontology
Ontological Achievement
Ontological Affirmation
Parasocial Interaction
philosophy of film
Play Things
Pop Stars
pragmatism
Sarah L. Kirkby
skepticism in art
Stanley Cavell
subjectivity
Tertium Comparationis
trust
Tv Director
Vertrauen in die Welt
Vice Versa
Vincent Van Gogh
Walter Benjamin
Young Man

Product details

  • ISBN 9780367667511
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Sep 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book examines the theory, originally raised in Gilles Deleuze’s philosophy of film, that cinema has the power to restore our trust in the world. Früchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd, in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts, but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant, Nancy, Agamben, Benjamin and Rancière. It concludes with examination of Cavell’s solution to the problem of scepticism and a synthesis of Kantian aesthetic theory with Cavellian pragmatism. Originally published in German under the title Vertrauen in die Welt, this English-language translation features a new introduction that situates Früchtl’s work within contemporary analytical philosophy of film. It will be of interest to scholars working in Continental aesthetics, philosophy of film, and film theory.

Josef Früchtl is Professor of Philosophy of Art and Culture at the University of Amsterdam, The Netherlands. His major research interests are aesthetics, especially the relationship between aesthetics and ethics, theories of modernity, critical theory, and the philosophy of film. He is the author of The Impertinent Self: A Heroic History of Modernity (2009).

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