Turkic Soundscapes

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Abdullah Akat
Ahmad Yasavi
Alla Sokolova
Bir Bala
Button Accordion
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Category=AVL
Central Asian music
contemporary Turkic music research
Crimean Tatars
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Ethnic Bulgarians
Ethno National Groups
ethnomusicology
Fatih Akin
Folksongs
Giovanni De Zorzi
Gulnar Abdirakhman
Ivanka Vlaeva
Js Sipos
Kazakh Cultural
Kazakh Folk
Kazakh Music
Kazakh National Identity
Kazakh People
Lezginka Dance
Makam Music
Makam-based melody
Mass music
Megan Rancier
Melodic Strings
Mevlevi Tradition
Mugham Performance
Mugham training
musical instrument history
national identity in music
Okan Murat Ozturk
Popular Music
post-Soviet cultural change
religious music traditions
Russian Balalaika
Tatar Music
Tatar Theory
Thomas Solomon
Timothy Rice
Traditional Kazakh
Traditional Kazakh Culture
Turkic musical cultures
Turkish Musical
Ulrich Morgenstern
Vice Versa
Violetta Yunusova
Young Men

Product details

  • ISBN 9781138062405
  • Weight: 498g
  • Dimensions: 156 x 234mm
  • Publication Date: 25 Jan 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Turkic soundscape is both geographically huge and culturally diverse (twenty-eight countries, republics and districts extending from Eastern Europe through the Caucasus and throughout Central Asia). Although the Turkic peoples of the world can trace their linguistic and genetic ancestries to common sources, their extensive geographical dispersion and widely varying historical and political experiences have generated a range of different expressive music forms. In addition, the break-up of the Soviet Union and increasing globalization have resulted in the emergence of new viewpoints on classical and folk traditions, Turkic versions of globalized popular culture, and re-workings of folk and religious practices to fit new social needs. In line with the opening up of many Turkic regions in the post-Soviet era, awareness of scholarship from these regions has also increased. Consisting of twelve individual contributions that reflect the geographical breadth of the area under study, the collection addresses animist and Islamic religious songs; the historical development of Turkic musical instruments; ethnography and analysis of classical court music traditions; cross-cultural influences throughout the Turkic world; music and mass media; and popular music in traditional contexts. The result is a well-balanced survey of music in the Turkic-speaking world, representing folk, popular and classical traditions equally, as well as discussing how these traditions have changed in response to growing modernity and cosmopolitanism in Europe and Central Asia.

Razia Sultanova is a Research Fellow at the University of Cambridge Faculty of Music and Visiting Professor at Moscow State Conservatory, Kazakh National University of Arts (Astana) and Ahmet Yassawi Kazakh-Turkish University (Turkistan). Her research examines culture, sound, place and authenticity in the Turkic-speaking world across Central Asia, the Caucasus, Afghanistan, Iran and Turkey. Megan Rancier is a Lecturer of Ethnomusicology at Bowling Green State University (Bowling Green, Ohio). She earned a Ph.D. in ethnomusicology from the University of California, Los Angeles. Her research interests focus on Central Asia, particularly Kazakhstan, and intersections between national identity narratives, traditional musical instruments and popular music.