Twentieth Century German Art Exhibition

Regular price €56.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A(C)migrA(C) art networks
A01=Lucy Wasensteiner
Adolf Hitler
anti-Nazi
anti-Nazi exhibition analysis
art and exile
art and politics
art and war
art collectors
art critics
art dealers
art history
art market history
Author_Lucy Wasensteiner
Britain
Burlington Galleries
Category=AGA
Category=AGC
Das Kunstblatt
Degenerate Art
emigre networks
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Europe
Exhibition Catalogue
exhibition history
exhibition studies
exile art studies
exile studies
France
German art
German Art Exhibition
German artists
German modernism
German Modernist Art
German Regime
Germany
Great German Art Exhibition
Hess Collection
Kandinsky
Kunsthalle Bern
Kunstmuseum Basel
Kurt Schwitters
Liebermann Painting
London
London Catalogue
London Exhibition
Lovis Corinth
Max Beckmann
Max Pechstein
modern art
modernism
Munich
Munich Show
National Socialist Germany
Nazi cultural policy
Nazis
Oskar Kokoschka
Oskar Schlemmer
Otto Freundlich
Paul Klee
Paul Westheim
provenance
provenance research
Switzerland
Tate Archive
the art market
the Reich
United Kingdom
Wassily Kandinsky
World War II

Product details

  • ISBN 9781032094601
  • Weight: 480g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally.

Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.

Lucy Wasensteiner is Lecturer in Art History at the University of Bonn, and Associate Lecturer at the Courtauld Institute of Art in London.

More from this author