Twentieth-Century Literary Encounters in China

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A01=Jeffrey Mather
Anglo-American travel writing
Author_Jeffrey Mather
Blue Poppy
Category=DSBH
Category=DSK
Contemporary Chinese Poetry
cosmopolitanism in literature
cross-cultural literary exchange
Deep Map
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
ethnographic encounter
ethnographic narrative analysis
Farrer's Writings
Farrer’s Writings
Feather Boas
Gifted Chinese Students
global modernity
Green Corn
Hahn's Works
Hahn’s Works
Han Suyin
Han's Narrative
Han’s Narrative
Joseph Rock
King George III
Kingdon Ward
literary modernity studies
Mao Tsetung
Monroe States
National Geographic
Naxi People
Paul Gauguin
Rainbow Bridge
Republican era China
Soong Sisters
Splendored Thing
transnational literary encounters in China
Western literary cultures
Western modernism
Young Man

Product details

  • ISBN 9781032088150
  • Weight: 263g
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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From the travel writing of the eccentric plant collector and Reginald Farrer, to Emily Hahn’s insider depictions of bohemian life in semi-colonial Shanghai, to Ezra Pound’s mediated ‘journeys’ to Southwest China via the explorer Joseph Rock – Anglo-American representations of China during the first half of the twentieth century were often unconventional in terms of style, form, and content. By examining a range of texts that were written in the flux of travel – including poems, novels, autobiographies – this study argues that the tumultuous social and political context of China’s Republican Period (1912-49) was a key setting for conceptualizing cultural modernity in global and transnational terms. In contrast with accounts that examine China’s influence on Western modernism through language, translation, and discourse, the book recovers a materialist engagement with landscapes, objects, and things as transcribed through travel, ethnographic encounter, and embodied experience. The book is organized by three themes which suggest formal strategies through which notions cultural modernity were explored or contested: borderlands, cosmopolitan performances, and mobile poetics. As it draws from archival sources in order to develop these themes, this study offers a place-based historical perspective on China’s changing status in Western literary cultures.

Jeffrey Mather is an Associate Professor in the Department of English at City University of Hong Kong. Originally from Canada, he completed his doctoral work at the University of Kent and has previously worked in academic positions in Taiwan and Mainland China. His work focuses on China/West literary studies, postcolonial writing, and modern and contemporary fiction.

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