Twentieth-Century Organ Music

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Cantus Firmus
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chorale
Chorale Preludes
church
contemporary classical composers
Ein Feste Burg Ist Unser
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Gottfried Silbermann
Hymn Preludes
Les Corps Glorieux
Liturgical Composition
Liturgical Music
Liturgical Organ
Liturgical Organ Music
liturgical performance practice
Livre Du Saint Sacrement
Lux Aeterna
max
messiaen
Motu Proprio
musician
musicology twentieth century
olivier
Olivier Messiaen
Organ Concerto
Organ Music
organ reform movement
organ repertoire analysis
Organ Symphonies
pieces
Pieter Saenredam
prelude
reger
sacred music studies
Symphonic Organ
symphonies
Trois Petites Liturgies
Twentieth Century Organ Music
twentieth century organ repertoire scholarship
Vatican II
West Germany
William Drake

Product details

  • ISBN 9780415875660
  • Weight: 498g
  • Dimensions: 152 x 229mm
  • Publication Date: 13 Dec 2011
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.

Christopher S. Anderson is Associate Professor of Sacred Music at the Perkins School of Theology, Southern Methodist University, USA.