Twenty-First Century Bollywood

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A01=Ajay Gehlawat
Aishwarya Rai
Amazing Spider Man
amitabh
Area Studies Students
Author_Ajay Gehlawat
Bollywood Aesthetic
Bollywood Films
Bollywood Heroine
Bollywood Stars
Category=ATF
Category=GTM
Category=JBCT
Category=NH
cinema
Company's Ceo
Company’s Ceo
contemporary
Contemporary Bollywood
Contemporary Bollywood Films
contemporary Bollywood narrative analysis
Deepika Padukone
End Credits Sequence
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film pedagogy Western universities
films
gender representation film
hindi
Hindi Cinema
Hindi cinema studies
Hindi Film Songs
hrithik
Hrithik Roshan
Indian Actresses
Indian Heroine
masculinity in Indian films
Metrosexual Masculinity
Om Shanti Om
Ooh La La
popular
Popular Hindi Cinema
roshan
sequences
song
Song Sequence
South Asian cultural analysis
Vidya Balan
whiteness in media
Young Men
Zindagi Na Milegi Dobara

Product details

  • ISBN 9781138793606
  • Weight: 470g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 May 2015
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Key changes have emerged in Bollywood in the new millennium. Twenty-First Century Bollywood traces the emerging shifts in both the content and form of Bollywood cinema and examines these new tendencies in relation to the changing dynamics of Indian culture. The book historically situates these emerging trends in relation to previous norms, and develops new, innovative paradigms for conceptualizing Bollywood in the twenty-first century.

The particular shifts in contemporary Bollywood cinema that the book examines include the changing nature of the song and dance sequence, the evolving representations of male and female sexuality, and the increasing presence of whiteness as a dominant trope in Bollywood cinema. It also focuses on the increasing presence of Bollywood in higher education courses in the West, as well as how Bollywood’s growing presence in such academic contexts illuminates the changing ways in which this cinema is consumed by Western audiences.

Shifting the focus back on the cinematic elements of contemporary films themselves, the book analyses Bollywood films by considering the film dynamics on their own terms, and related to their narrative and aesthetic usage, rather than through an analysis of large-scale industrial practices. It will be of interest to students and scholars of South Asian Studies, Film Studies, and Cultural Studies.

Ajay Gehlawat is Associate Professor of Theatre and Film at Sonoma State University

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