Twenty-First Century Musicals

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ABBA Music
adaptation
AIDS Pandemic
Angry Inch
appropriation
Arthur Pritchard
backstage
Black Popular Music
camp
casting
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cinematic narrative analysis
contemporary musical adaptation
cultural identity in film
Demetris Zavros
Dominic Symonds
Drag Persona
Drowsy Chaperone
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Extended Intertextual Engagements
Fairy Tale
Film Musical
film theory
Gangster Film
gender representation in musicals
Helen Deborah Lewis
Horror Movie
Jessica Sternfeld
Jesus Christ Superstar
Jukebox Musicals
Julian Woolford
Linda Mokdad
live singing techniques
Mark Shields
Movie Musical
Musical Theatre Actors
musical theatre adaptation studies
narrative
national identity
Olaf Jubin
Original Broadway Cast
Original Stage Production
performance authenticity
Radio City Music Hall
Robert Gordon
Sarah Browne
Sarah Whitfield
singing
Sondheim's Work
Stage Musical
Stage Musical Theatre
Stage Version
storytelling
Tim Stephenson
Todd Decker
Torch Song Trilogy
Vice Versa
Younger Man

Product details

  • ISBN 9781138648906
  • Weight: 630g
  • Dimensions: 156 x 234mm
  • Publication Date: 15 Aug 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Twenty-First Century Musicals stakes a place for the musical in today’s cinematic landscape, taking a look at leading contemporary shows from their stage origins to their big-screen adaptations. Each chapter offers a new perspective on a single musical, challenging populist narratives and exploring underlying narratives and sub-texts in depth. Themes of national identity; race, class and gender; the ‘voice’ and ‘singing live’ on film; authenticity; camp sensibilities; and the celebration of failure are addressed in a series of questions including:

  • How does the film adaptation provide a different viewing experience from the stage version?
  • What themes are highlighted in the film adaptation?
  • What does the new casting bring to the work?
  • Do camera angles dictate a different reading from the stage version?
  • What is lost/gained in the process of adaptation to film?

Re-interpreting the contemporary film musical as a compelling art form, Twenty-First Century Musicals is a must-read for any student or scholar keen to broaden their understanding of musical performance.

George Rodosthenous is Associate Professor in Theatre Directing at the School of Performance and Cultural Industries, University of Leeds.