Tyranny and Theater in the Ancient World

Regular price €36.50
Title
Quantity:
Will Deliver When Available
Will Deliver When Available
14 days return policy Shipping & Delivery
A01=Anne Duncan
Alexander the Great
Author_Anne Duncan
Category=DBSG
Category=DDT
classical antiquity
classical texts
classics
dialogue dramatic
drama
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
eq_poetry
fiction
forthcoming
Greco-Roman world
historiographical
history
literature
Nero
tyrants

Product details

  • ISBN 9781350426580
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Nov 2026
  • Publisher: Bloomsbury Publishing PLC
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

Exploring persistent connections between absolute rulers and dramatic performance in Greek and Roman drama and history, Anne Duncan offers the reader a comprehensive insight into the juxtaposition between tyranny and theater in the Greco-Roman world. From the mad kings of Greek and Roman tragedy to the relationships that Greek tyrants and Roman emperors cultivated with actors and playwrights, absolute power has had an inescapably theatricalising effect on ruler and regime.

Traversing various Greco-Roman playwrights, such as Euripides, Sophocles and Seneca, this book analyses the dangerous, unstable tyrants of ancient tragedy alongside the dangerous, unstable tyrants of ancient historiography in order to map out the ancient world’s discourses about the allure and peril of absolute power. Duncan argues that, while any kind of political display has theatrical qualities, it is tyranny that has an especially theatrical mode. Her conclusion is that tyrants and playwrights began to influence each other over the course of Greco-Roman antiquity, so that tragedy tyrants began to resemble real rulers, and real rulers began to style themselves after tragedy tyrants, each trying to tap into the other’s power to command audiences.

Anne Duncan is Associate Professor of Classics at the University of Nebraska-Lincoln, US. She is author of Performance and Identity in the Classical World (2006).

More from this author