Ugliness of Moses Mendelssohn

Regular price €198.40
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Leah Hochman
Author_Leah Hochman
Category=GTM
Category=JBSR
Category=QDH
Category=QDTN
Ceremonial Script
Daniel Chodowiecki
De Pauw
Eighteenth Century Aesthetics
Eighteenth Century Intellectual
Enlightened Christian
ephraim
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fragments
gotthold
Gotthold Ephraim Lessing
Human Beings
Human Kind
Lavater's Fragments
Lavater's Physiognomy
lavaters
Lavater’s Physiognomy
lessing
Mendelssohn's Jewishness
mendelssohns
Mendelssohn’s Jewishness
mixed
Mixed Sentiment
Modern Ugly
Moral Aesthetics
Moses Mendelssohn
Perfectionist Aesthetic
Physiognomical Fragments
Physiognomical Judgment
physiognomy
Rabbinical Portraits
reputation
sentiment
Staatsbibliothek Zu Berlin
Stiftung Preussischer Kulturbesitz
Susanne Zantop
Ugly Jew
Young Men

Product details

  • ISBN 9781138781771
  • Weight: 550g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Oct 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The Ugliness of Moses Mendelssohn examines the idea of ugliness through four angles: philosophical aesthetics, early anthropology, physiognomy and portraiture in the eighteenth-century.

Highlighting a theory that describes the benefit of encountering ugly objects in art and nature, eighteenth-century German Jewish philosopher Moses Mendelssohn recasts ugliness as a positive force for moral education and social progress. According to his theory, ugly objects cause us to think more and thus exercise—and expand—our mental abilities. Known as ugly himself, he was nevertheless portrayed in portraits and in physiognomy as an image of wisdom, gentility, and tolerance. That seeming contradiction—an ugly object (Mendelssohn) made beautiful—illustrates his theory’s possibility: ugliness itself is a positive, even redeeming characteristic of great opportunity.

Presenting a novel approach to eighteenth century aesthetics, this book will be of interest to students and scholars in the fields of Jewish Studies, Philosophy and History.

Leah Hochman is Associate Professor of Jewish Thought at HUC-JIR, USA, and directs the Louchheim School for Judaic Studies. She holds a Ph.D. from Boston University and teaches classes in Jewish philosophy, Jewish literature, American Judaism, and religion and food.

More from this author