Unbinding Gentility

Regular price €115.99
A01=Candace Bailey
Age Group_Uncategorized
Age Group_Uncategorized
amateur
antebellum
Author_Candace Bailey
automatic-update
Beethoven
Bellini
binder's volumes
black women
Category1=Non-Fiction
Category=AV
Category=AVC
Category=HBJK
Category=JBSF1
Category=JFSJ1
Category=NHK
Category=WQH
Charleston
classical music
COP=United States
cultural capital
dance
Delivery_Delivery within 10-20 working days
Donizetti
elite
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
etiquette
Fisk
foreign music
foreign music teachers
Gottschalk
image
Language_English
learning music
material culture
Meyerbeer
middle class
Mobile
Moravian
Murfreesboro
music education
music teachers
New Orleans
opera
organist
PA=Available
Paris
parlor
performance
piano
Price_€50 to €100
professional
PS=Active
public gaze
race
Reconstruction
regional practice
repertory
Richmond
Rossini
school
scientific music
softlaunch
southern history
Thalberg
theatrical
Verdi
violinist
white women

Product details

  • ISBN 9780252043758
  • Weight: 626g
  • Dimensions: 156 x 235mm
  • Publication Date: 13 Apr 2021
  • Publisher: University of Illinois Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

A Choice Outstanding Academic Title for 2022

Hearing southern women in the pauses of history

Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.

A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.

Candace Bailey is a professor of music at North Carolina Central University. She is the author of Music and the Southern Belle: From Accomplished Lady to Confederate Composer and Charleston Belles Abroad: The Music Collections of Harriet Lowndes, Henrietta Aiken, and Louisa Rebecca McCord.