Undercut

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A01=Joseph Larnerd
American cultural history
American culture
American history
American material culture
American studies
American working class
and Architecture
Art
art history
artisans
artistic labor
Author_Joseph Larnerd
Category=AFP
Category=AFT
Category=AGA
Category=NHK
Category=NHTB
class
craft and industry
craftsmanship
cultural history
cultural labor
cultural studies
cut glass
decorative art
decorative arts
design history
domestic work
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
factory work
forthcoming
gender
Gilded Age
History: US
industrial labor
industrialization
labor history
labor studies
manufacturing
material culture
material culture perspectives
material culture studies
Music
nineteenth century
popular representation
race
social art history
social history
United States history
visual culture
working class studies
working-class history
working-class life
World's Fairs

Product details

  • ISBN 9781644534205
  • Weight: 513g
  • Dimensions: 156 x 235mm
  • Publication Date: 30 Jun 2026
  • Publisher: University of Delaware Press
  • Publication City/Country: US
  • Product Form: Hardback
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How did workers experience cut glass during its cultural heyday? Rather than privilege the stories of factory owners or wealthy consumers, Undercut: Cut Glass in Working-Class Life During the Long Gilded Age refracts the medium's history through the labors required to make and maintain these dazzling artifacts as well as popular representations of this work, from demonstrations at world's fairs to images of domestic workers with finished pieces in their charge. Cut glass and the many manifestations of public interest in its labors offered working people, too, occasions for self-reflection and, perhaps, self-realization. Foregrounding their lives, Undercut offers a multifaceted social art history of a once-popular genre of decorative art that cuts across class, gender, and race.

Joseph Larnerd is an assistant professor of design history in the Department of Art and Art History at Drexel University in Philadelphia, Pennsylvania.

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