Understanding African American Rhetoric

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Adisa A. Alkebulan
African American Culture
African American Discourse
African American Oratory
African American Rhetoric
African American Women
African Communicative Practice
afrocentric
Afrocentric communication models
Afrocentric Paradigm
americans
analysis
black
Bosom Friend
Brand Nubian
Carlos D. Morrison
Carolyn Calloway-Thomas
Category=CBX
Category=CFB
Category=GTC
Category=JBCC1
Category=JBCT
Category=JBSL
Category=NH
Celnisha L. Dangerfield
communicative practice research
community
critical rhetoric theory
cultural discourse analysis
culture
Deborah F. Atwater
discourse
Dorthy L. Pennington
Ella Forbes
Emanuel Cleaver
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eq_dictionaries-language-reference
eq_history
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eq_society-politics
Fantasy Theme Analysis
Felicia M. Miyakawa
Felicia R. Walker
Gangsta Rap Lyrics
Homelessness In South Africa
Jeffrey Lynn Woodyard
Judi Moore Latta
Lauryn Hill
Mark Lawrence Mcphail
Maulana Karenga
Melbourne S. Cummings
Molefi Kete Asante
National Civil Rights Museum
oral tradition studies
oratory
paradigms
Poor Righteous Teachers
Regina E. Spellers
resistance narratives
rhetorical analysis of African American discourse
Rhetorical Barriers
Richard L. Wright
Ronald L. Jackson
Sandra L. Herndon
Sanyika Shakur
Scene Agent Ratio
Shauntae Brown-White
Swing Low Sweet Chariot
Symbolic Convergence Theory
Thurmon Garner
Western Rhetorical Theory
women
Wu Tang Clan
Young Man

Product details

  • ISBN 9780415943871
  • Weight: 1450g
  • Dimensions: 178 x 254mm
  • Publication Date: 04 Apr 2003
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This is an extraordinarily well-balanced collection of essays focused on varied expressions of African American Rhetoric; it also is a critical antidote to a preoccupation with Western Rhetoric as the arbiter of what counts for effective rhetoric. Rather than impose Western terminology on African and African American rhetoric, the essays in this volume seek to illumine rhetoric from within its own cultural expression, thereby creating an understanding grounded in the culture's values. The consequence is a richly detailed and well-researched set of essays. The contribution of African American rhetoric can no longer be rendered invisible through neglect of its tradition.The essays in this volume neither seek to displace Western Rhetoric, nor function as an uncritical paen to Afrocentricity and Africology. This volume is both timely and essential; timely in advancing a better understanding of the richly textured history that is expressed through African American discourse, and essential as a counterpoint to the hegemonic influence of Greek and Roman rhetoric as the origin of rhetorical theory and practice.

Written in the spirit of a critical rhetoric, this collection eschews traditional focus on public address and instead offers a rich array of texts, in musical and other forms, that address publics.

Ronald L. Jackson II is Associate Professor of Culture and Communication Theory at Pennsylvania State University. He is the author of The Negotiation of Cultural Identity (1999). Elaine B. Richardson is Assistant Professor of English and by courtesy, Applied Linguistics at Pennsylvania State University. She is the author of African-American Literacies (Routledge, 2002).