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Understanding Digital Cinema
Understanding Digital Cinema
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€210.80
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advanced digital film mastering process
anti-piracy strategies
audio engineering for film
Camera Negative Film
Category=AJT
Category=AJTH
Category=ATDH
Category=ATF
Category=UDP
cinema technology
color
Color Gamut
CTO
DCL
DI
DI Process
Digital Cinema
Digital Cinema Distribution
Digital Cinema Master
Digital Cinema Systems
Digital Preview
digital projection systems
distribution
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eq_bestseller
eq_computing
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film
Fire Exits
gamut
Gamut Mapping
Golden Eyes
image compression techniques
initiatives
Intermediate File
mapping
Media Block
Middle East
MXF File
package
post production workflow
print
release
RGB Data
RGB Value
systems
TCP Connection
Tristimulus Values
UK Department
UK Film Council
User Requirement
Product details
- ISBN 9780240806174
- Weight: 810g
- Dimensions: 189 x 246mm
- Publication Date: 28 Oct 2004
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
UNDERSTANDING DIGITAL CINEMA: A PROFESSIONAL HANDBOOK is a comprehensive resource on all aspects of finishing, distributing and displaying film digitally. For technical professionals as well as non-technical decision-makers, the book is a detailed exploration of every component of the process, from mastering to theater management.
* An overview of digital cinema system requirements
* Post production work flow
* Color in digital cinema
* The digital cinema mastering process
* Fundamentals of compression
* Security
* Basics of audio
* Digital distribution
* Digital projection technology
* Theater systems
* The international perspective: Views from Europe, Asia and Latin America
* A realistic assessment of the future of digital cinema
With contributions by:
Richard Crudo, President, American Society of Cinematographers
Leon Silverman, Executive Vice President, Laser Pacific Media Corporation
Charles Poynton, Color Scientist
Chris Carey, Senior Vice President, Studio New Technology, The Walt Disney Studios
Bob Lambert, Corporate Senior Vice President New Technology & New Media,
The Walt Disney Company
Bill Kinder, Pixar Animation Studios
Glenn Kennel, DLP Cinema
Peter Symes, Manager, Advanced Technology, Thomson Broadcast & Media Solutions
Robert Schumann, President, Cinea, Inc., A Subsidiary of Dolby Labs
David Gray, Vice President, Production Services, Dolby Laboratories, Inc.
Darcy Antonellis, Executive Vice President, Distribution and Technology Operations
Warner Bros. Technical Operations Inc. and Senior Vice President, Worldwide Anti-Piracy Operations Warner Bros. Entertainment Inc.
Matt Cowan, Principal and Founder, Entertainment Technology Consultants
Loren Nielsen, Principal and Founder, Entertainment Technology Consultants
Michael Karagosian, Partner, Karagosian MacCalla Partners (KMP)
Peter Wilson, Vice President, Display Technologies, Snell and Wilcox Ltd.
Patrick Von Sychowski, Senior Analyst, Screen Digest
Wendy Aylsworth, Vice President of Technology, Warner Bros. Technical Operations Inc.
Charles S. Swartz oversees efforts to further the entertainment industry through new technology. He draws from more than two decades of experience in feature film and television production, academic programming and strategic consulting to lead the center in identifying emerging entertainment technology issues and developing projects to study them. Swartz assumed his current position at the Entertainment Technology Center in 2003, where he has refocused and recharged the research center. He serves in two positions for SMPTE/Hollywood: Governor of the Hollywood Region and co-chair of the education committee. In 1996, the Los Angeles Business Journal named him one of 100 technology leaders in Los Angeles.
Understanding Digital Cinema
€210.80
