Understanding International Art Markets and Management

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Art Crime
art investment analysis
Art Loss Register
Art Market
art market decision making process
auction
Auction Houses
Category=KJ
Category=KN
Cent Royalty
Chinese Contemporary Art
contemporary
Contemporary Art
Contemporary Modern Art
convenience
Convenience Yield
cultural asset management
Dealer's Power
Dealer’s Power
droit
Droit De Suite
Emerging Art Markets
eq_bestseller
eq_business-finance-law
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
fair
global art finance
Gogh
Holding
house
iain
illicit art trade regulation
International Art Market
International Auction Houses
Mark Rothko
Payment
pricing art objects
Rembrandt
Resale Royalty
robertson
suite
Superb
UNESCO Intergovernmental Committee
Unlimited
USA
visual arts economics
yield
Young Men

Product details

  • ISBN 9780415339575
  • Weight: 480g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 May 2005
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This groundbreaking text brings together experts in the field of visual art markets to answer some fundamental questions:

  • Is art a good investment?
  • Why is the art market dominated by America and Western Europe?
  • Where are the key emerging markets and what are the next good buys in art?

Providing readers with an understanding of the challenges facing art market 'makers' (dealers, auctioneers, collectors and artists) and the decision-making process experienced by market 'players' and investors, this exciting text merges the key theories with examples of practice in a highly accessible style.

Written by an international array of experts from the US, the UK and China, this book is essential reading for all those studying or interested in art markets and management.

Iain Roberston is a lecturer in arts policy and management at City University. He is a member of The National Art Collections Fund and Association Internationale des Critique d'Art. He is an adviser to the Asia Art Archive and responsible for information on Asian art developments in London.