A01=James Diedrick
Author_James Diedrick
Category=DSBH
Category=DSK
Category=DSR
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_nobargain
eq_non-fiction
Fear and Loathing in Las Vegas
Fiction
Kingsley Amis
Koba the Dread
London Fields (novel)
Lucky Jim
Martin Amis
Narcissism
Nick Hornby
Novel
Novelist
Parody
Poetry
Satire
The Atrocity Exhibition
The Moronic Inferno
Time's Arrow (novel)
Tom Wolfe
Vladimir Nabokov
Product details
- ISBN 9781570035166
- Weight: 326g
- Dimensions: 130 x 176mm
- Publication Date: 02 Mar 2004
- Publisher: University of South Carolina Press
- Publication City/Country: US
- Product Form: Paperback
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Understanding Martin Amis is a comprehensive guide to the novels, short stories and non-fiction by one of Britain's most highly acclaimed and controversial authors. Building on the first edition, of 1995, James Diedrick draws on personal interviews, reviews and criticism to map the distinctive features of Martin Amis's imaginative landscape - the sociosexual satire of ""Money"" and ""Yellow Dog"", the bold experimentation of ""Time's Arrow"" and ""Night Train"", and the provocative blend of autobiography and cultural analysis in ""Experience"" and ""Koba the Dread"". Diedrick illustrates how Amis has reshaped the British literary landscape, expanding its stylistic and thematic range while creating forms adequate to the experience of postmodernity. Diedrick analyzes an increasing cultural conservatism in Amis's work, rooted in Amis's relationship with his father, the novelist Kingsley Amis. During his early career, the younger Amis opposed his father's political and aesthetic conservatism. But his opposition has given way to frequent expressions of political and literary solidarity. Diedrick shows how this filial relationship continues to shape the son's outlook and writing. Diedrick also identifies two complementary impulses in Amis's work. The first is journalistic and satirical, expressed in an incisive wit aimed at contemporary social realities. The second is aesthetic, manifesting a Nabokovian love of verbal play and formal experimentation. Besides analyzing the ways Amis's fiction forges the topical into the literary, Diedrick argues for the importance of Amis's considerable journalistic oeuvre and provides close readings of his non-fiction collection and his uncollected essays and reviews.
