Undressing Cinema

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A01=Stella Bruzzi
Author_Stella Bruzzi
Belle De Jour
bfi
Black Tails
Cat Walk
Category=AKT
Category=ATFA
Category=JBCT
Category=KNS
Category=NH
cinematic clothing identity research
Countess
couture
Cross-dressing Comedies
Disengaged
doubtfire
eq_art-fashion-photography
eq_bestseller
eq_business-finance-law
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fashion history in movies
Femme Fatale
film costume analysis
Gangster Films
gender representation studies
Hanging Rock
haute
howard
IRA
IRA Man
Jean Paul Gaultier
King's Canyon
man
masculinity in visual culture
Mrs Doubtfire
mrs.
Os
phallic
Pristine
psychoanalytic film theory
queer cinema scholarship
Reservoir Dogs
Ronald Grant Archive
Single White Female
St Valentine's Day
stills
Tony Camonte
Trousers
Vice Versa
woman
Young Man
Zoot Suit

Product details

  • ISBN 9780415139571
  • Weight: 430g
  • Dimensions: 156 x 234mm
  • Publication Date: 06 Nov 1997
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis.
Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses:
* haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier
* the eroticism of period costume in films such as The Piano and The Age of Innocence
* clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction
* generic male chic in Goodfellas, Reservoir Dogs, and Leon
* pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City
* drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

Stella Bruzzi is a lecturer in Film at Royal Holloway, University of London. She has published widely in the areas of cinema and cultural studies and is a regular contributor to Sight and Sound

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