Unequivocal Magic

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A01=Alex Bertram
Author_Alex Bertram
biographical studies and practice
Category=AJ
Category=AJCP
Category=ATD
celebrity portraiture
creative non-fiction
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_new_release
eq_nobargain
eq_non-fiction
French actress
historical portrait
iconic actresses
interpretation of historical photographs
material culture history
performance studies
photographic archives
Photographic portraiture
photography and visual culture
pictorial photography
Sarah Bernhardt
theatrical studies
visual culture studies
Walter Barnett
women performers
women's studies

Product details

  • ISBN 9781771127189
  • Dimensions: 152 x 229mm
  • Publication Date: 31 May 2026
  • Publisher: Wilfrid Laurier University Press
  • Publication City/Country: CA
  • Product Form: Hardback
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Unequivocal Magic speaks to the “quiet power” of photographs and their hidden creativity, bringing readers into the author’s own journey into the history of a 1910 portrait of iconic French actress, Sarah Bernhardt. What begins as a quest to recognize the work of her once renowned photographer, Walter Barnett, becomes a story about the female performer in the West, whose use of image to innovate, protest, and survive public scrutiny can provide an enduring agency.

Alex Bertram has always found old photographs intriguing, an interest augmented by her work as a picture researcher for a publisher. On a visit to the Victoria and Albert Museum in London, she saw a 1910 portrait of Sarah Bernhardt, the famous French actress whose career by then had spanned half a century. Beset with questions about this unidealized representation of the actress in her older age, she wondered what the photograph could tell us about Bernhardt, its photographer, or the circumstances surrounding the making of the portrait.

Structured around the day Bernhardt had her picture taken in that London studio, Unequivocal Magic traces the travel of the portrait on its life journey, with Bertram returning again and again to this single day in 1910. Bertram’s narrative likewise embraces her own creative response upon seeing the portrait for the first time, enveloping that moment into her engagement with and close examination of the lives and work of both Barnett and Bernhardt.

Alex Bertram is a writer and educator. She has worked for trade and academic publishers in Melbourne and London and holds a PhD in Creative Writing. Alex lives in Victoria, BC, and works as a writing instructor at the University of Victoria and Simon Fraser University in Vancouver.

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