UNESCO and the Fate of the Literary

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A01=Sarah Brouillette
Author_Sarah Brouillette
Category=CFC
Category=DSA
Category=JPSN
contemporary literature
creative industries
cultural policy
economic development
eq_bestseller
eq_biography-true-stories
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Marxist theory
postwar literature
UNESCO
world literature

Product details

  • ISBN 9781503610316
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Sep 2019
  • Publisher: Stanford University Press
  • Publication City/Country: US
  • Product Form: Paperback
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A case study of one of the most important global institutions of cultural policy formation, UNESCO and the Fate of the Literary demonstrates the relationship between such policymaking and transformations in the economy. Focusing on UNESCO's use of books, Sarah Brouillette identifies three phases in the agency's history and explores the literary and cultural programming of each. In the immediate postwar period, healthy economies made possible the funding of an infrastructure in support of a liberal cosmopolitanism and the spread of capitalist democracy. In the decolonizing 1960s and '70s, illiteracy and lack of access to literature were lamented as a "book hunger" in the developing world, and reading was touted as a universal humanizing value to argue for a more balanced communications industry and copyright regime. Most recently, literature has become instrumental in city and nation branding that drive tourism and the heritage industry. Today, the agency largely treats high literature as a commercially self-sustaining product for wealthy aging publics, and fundamental policy reform to address the uneven relations that characterize global intellectual property creation is off the table. UNESCO's literary programming is in this way highly suggestive. A trajectory that might appear to be one of triumphant success—literary tourism and festival programming can be quite lucrative for some people—is also, under a different light, a story of decline.

Sarah Brouillette is Professor of English at Carleton University and the author of Literature and the Creative Economy (Stanford, 2014).

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