Unfinished Exhibition

Regular price €210.80
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Susanna W. Gold
African Americans
AME Church
America
American Art Exhibition
American centennial
American civil war
American Galleries
American North
American South
art and national identity formation
Art Annex
art galleries
Author_Susanna W. Gold
Bethel African Methodist Episcopal Church
Category=AB
Category=AGA
Category=AGC
Centennial Art Exhibition
Centennial Art Galleries
civil war
Commemorative Monuments
Dead Men
Early American Paintings
Emancipation
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
exhibition history
Fairmount Park
Fairmount Park Commission
Gettysburg iconography
Gun Foundry
Hathi Trust
historical memory politics
Italian Sculpture
Johnson's Painting
Johnson’s Painting
Kentucky Home
Lincoln Monument
Memorial Hall
memory
Monument Association
museum studies
nineteenth century
nineteenth-century American art
patriotism
Philadelphia
post-Emancipation
post-Reconstruction studies
Powder Monkey
power
racial representation in museums
Reconstruction
Siege Howitzer
Superb
Trade Card
trauma
trauma and visual culture
United States
war studies

Product details

  • ISBN 9781472480668
  • Weight: 550g
  • Dimensions: 174 x 246mm
  • Publication Date: 12 Dec 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.

Susanna W. Gold is an independent historian and curator of 19th- and 20th-century American art and culture.  She has taught at Temple University, the Barnes Foundation, and the University of Pennsylvania, where she earned her Ph.D.  She has organized and written catalogs for a number of exhibitions in Philadelphia-area institutions.

More from this author