Unfolding of The Seasons

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A01=Ralph Cohen
Act III
Actual Human Experience
Augustan poetry
Author_Ralph Cohen
Category=DSBD
Category=DSC
classical allusions study
Conscious Sources
Dead Man
Effective Idiom
Elizabeth Young
English literary criticism
Enlightenment literature
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Fishing Episode
Formless Wild
Frigid Zone
God's Wisdom
God’s Wisdom
Hagley Park
Human Suffering
Il Penseroso
Infinite Progression
interpretation of The Seasons poem
nature and religion
poetic diction analysis
Pope's Poetry
Pope’s Poetry
Rushing Winds
Solid Torrents
Thomson's Innovations
Thomson's Poem
Thomson's Poetry
Thomson's Position
Thomson's View
Thomson’s Innovations
Thomson’s Poem
Thomson’s Poetry
Thomson’s Position
Thomson’s View
Timeless
Torrid Zone
Young Man

Product details

  • ISBN 9781032154848
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 30 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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First published in 1970, The Unfolding of The Seasons provides an interpretation and evaluation of James Thomson’s poem The Seasons. Professor Cohen urges its reconsideration as a major Augustan poem, arguing that Thomson’s unity, diction and thought combine with a conception of man, nature and God which is poetically tenable and distinctive. The case for The Seasons as an important work of art depends upon its effectiveness as a moving vision of human experience, and Professor Cohen believes that many critics have not felt this effectiveness because they have misconceived Thomson’s vision and misunderstood his idiom. His study aims to persuade them to return to the poem and to examine it within the context of an Augustan tradition.

Professor Cohen shows that Thomson’s great achievement is to have fashioned a conception which, by bringing nature to the forefront of his poem, became a new poetic way of defining human experience. Thomson was not the first nature poet in English, but he was the first to provide an effective idiom in which science, orthodox religion, natural description, and classical allusions blended to describe the glory, baseness and uncertainty of man’s earthly environment, holding forth the hope of heavenly love and wisdom. This study shows that Thomson found a personal idiom by means of which he created an artistic vision. It will appeal to those with an interest in English literature and in philosophy.

Ralph Cohen

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