Unnameable Monster in Literature and Film

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A01=Maria Beville
Animal Kingdom
Atypical Point
Author_Maria Beville
Carpenter's Film
Category=ATFN
Category=DSB
Category=JBCT
Category=NH
Contemporary Society
continental philosophy
Cosmic Horror
cultural theory analysis
Dull Yellow Eye
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Fairy Tale
Film
Filmic Engagements
Gothic
gothic literature
Grendel's Mother
Hideous Progeny
Horror
horror theory
Ill Fate
Le Horla
Literature
Lunar Park
Monster
Monster Metaphor
Moshi Monsters
Mythological Monster
Nameless Monster
Pitch Fork
postmodern film studies
Research
Science Fiction
science fiction criticism
Sublime
Supernatural Horror
Swamp Thing
Thing
Transcendental Object
unnameable entities in fiction
Unnameable Monster
Unsymbolised Real
Wuthering Heights
Young Men

Product details

  • ISBN 9780367867980
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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This book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.

Maria Beville is Lecturer in English at the University of Limerick, Mary Immaculate College, Ireland.

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