Unproduction Studies and the American Film Industry

Regular price €25.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=James Fenwick
American Film Industry
Archival Methods
archival research methods
Author_James Fenwick
Black American Filmmakers
Category=ATFA
censorship history
Circus Parade
Creative Debris
creative process analysis
Cry Havoc
Development Hell
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Face To Face
film historiography
Flags Flying
Follow
Hold
Hollywood regulation
Jason Joy
Main Character
marginalised filmmakers
Material Evidence
Musa Dagh
Pancho Villa
Production Code
Production Code Administrators
Production Code Era
Spy Ships
Tully's Book
Tully’s Book
UK Film Council
Unmade Films
unreleased film projects study
USA
Vested Political Interests

Product details

  • ISBN 9781032072487
  • Weight: 180g
  • Dimensions: 138 x 216mm
  • Publication Date: 31 May 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This book makes the case for unproduction studies, the study of films left unmade, unseen, or unreleased, as a radical discipline with the potential to uncover a shadow history of the American film industry.

Exploring the archival methods that can be utilised in this endeavour, James Fenwick argues that a revisionist history is needed to understand the logic of the film industry, finding that it has long-been predicated on a system of unmade creativity in which finances, resources, and labour is invested into projects that production companies know will never be produced or have no intention of ever producing. Using the Production Code Administration (PCA) records, housed at the Margaret Herrick Library, as a case study, the book explores the material existence of the unmade and considers how archives and archival methods can be used to construct a shadow history that recovers the forgotten, marginalised, and overlooked figures in film history, providing explanations for structural forces that contributed to the unmade.

Given its unique use of the unmade as an analytic for film history, this book will be an essential read for scholars interested in film and media history, performance studies, film production, and creative practice, as well as to archivists and archival researchers.

James Fenwick is Senior Lecturer in the Department of Media Arts and Communication at Sheffield Hallam University, UK.

More from this author