Unruly Audiences and the Theater of Control in Early Modern London

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A01=Eric Dunnum
Affective Turn
Age Group_Uncategorized
Age Group_Uncategorized
anti-mimetic drama
Antitheatrical Writers
Apprentice Riots
audience behaviour studies
audience riots' effects
Author_Eric Dunnum
automatic-update
Brome
Category1=Non-Fiction
Category=AFKP
Category=AN
Category=ATD
Category=DSBD
Category=DSG
Category=DSGS
COP=United States
Delivery_Delivery within 10-20 working days
dramaturgical experimentation
dramaturgy
Early Modern
Early Modern Audiences
Early Modern London
early modern London drama
early modern playhouse audience control
Early Modern Playhouses
Early Modern Plays
Early Modern Playwrights
Eastward Ho
Edward II
Edward III
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
eq_isMigrated=0
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Female Playgoers
Inset Play
Interpretive Agency
La Foole
Language_English
Marlowe
Metadrama
metatheatrical analysis
Mimetic
Moll Cutpurse
Observation Selection Effect
PA=Available
performance reception theory
Perkin Warbeck
Playgoer
playgoer psychology
Playhouse Audiences
Price_€100 and above
PS=Active
Reception Studies
Renaissance drama
Renaissance theatre history
Richard III
Roaring Girl
softlaunch
Southwark Playhouse
Staging
Triadic Relationship
Unstable Text
Webster's Play

Product details

  • ISBN 9780815369332
  • Weight: 518g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Oct 2019
  • Publisher: Taylor & Francis Inc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience.

This study analyses how, out of anxiety that unruly audiences would destroy the nascent industry of professional drama in England, playwrights sought to limit the effect that their plays could have on the audience. They tried to construct playgoing through their drama in the hopes of creating a less-reactive, more pensive, and controlled playgoer. The result was the radical experimentation in dramaturgy that, in part, defines Renaissance drama.

Written for scholars of Early Modern and Renaissance Drama and Theatre, Theatre History, and Early Modern and Renaissance History, this book calls for a new focus on the local economic concerns of the theatre companies as a way to understand the motivation behind the drama of early modern London.

Eric Dunnum is an Assistant Professor of English at Campbell University.

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