Unsettled Narratives

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A01=David Farrier
activities
Anxious Prospect
Apotropaic Effect
Author_David Farrier
Bottle Imp
Captain Bligh
Category=D
Category=DSB
Category=DSBF
Category=DSBH
Category=DSK
colonial narrative construction
cross-cultural encounters
culture
duff
Duff Missionaries
Ellis's Polynesian Researches
Ellis’s Polynesian Researches
eq_bestseller
eq_biography-true-stories
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
frame
indigenous representation
Melville's Text
melvilles
Melville’s Text
nineteenth-century travel writing
out-of
Out-of Frame Activities
Pacific Encounters
Pacific literature analysis
Pitcairn Islanders
polynesian
Polynesian Researches
Prudential Restraint
Reciprocal Encounter
researches
settler colonial studies
Solomon Islands
South Sea Tales
Stevenson's Efforts
Stevenson’s Efforts
tahitian
Tahitian Culture
Tahitian Society
text
textual authority
Textualizing Practices
Tuamotu Archipelago
Unsettled Narratives
Whale Tooth
Whare Whakairo
Writing Encounter
Young Men

Product details

  • ISBN 9781138813939
  • Weight: 385g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2014
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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In the nineteenth-century Pacific, the production of a text of encounter occurred in tandem with the production of a settled space; asserting settler presence through the control of the space and the context of the encounter. Indigenous resistance therefore took place through modes of representation that ‘unsettled’ the text. This book considers the work of four Western visitors to the Pacific—Robert Louis Stevenson, William Ellis, Herman Melville, and Jack London—and the consequences for the written text and the experience of cross-cultural encounter when encounter is reduced to writing. The study proposes a strong connection between settling and writing as assertions of presence, and, by engaging a metaphor of building dwellings and building texts, the study examines how each writer manipulates the process of text creation to assert a dominant presence over and against the indigenous presence, which is represented as threatening, and extra-textual.

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