Unveiling the Magic of Films

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A01=Zhen Zhang
Author_Zhen Zhang
Category=AFKP
Category=ATD
Category=ATF
Category=CF
Category=JBCT
Category=NH
cinematic narration
classical Hollywood studies
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_history
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eq_nobargain
eq_non-fiction
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film performance analysis
film segmentation
film semiotics
Film studies
film transcription
genre
Hollywood film
multimodal communication
perceivable cue
performance analysis
qualitative study
social semiotic film analysis framework
social semiotics
visual storytelling methods

Product details

  • ISBN 9781032711676
  • Weight: 760g
  • Dimensions: 156 x 234mm
  • Publication Date: 31 Oct 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book presents a comprehensive methodology for segmenting, transcribing, and analysing feature films, especially classical Hollywood films. It offers an in-depth study of three scenes from Roman Holiday (1953), each showcasing different combinations of verbal and non-verbal performance.

Through detailed study, this book demonstrates how Roman Holiday can be broken down into Episodes, Events, Facts, Tasks, and Actions, while also exploring the semiotic modes involved in acting, art direction, cinematography, and editing. It reveals how acting constructs characters, relationships, situations, and the story’s generic structure, and examines how art direction, cinematography, and editing contribute to both performance and genre development. Building on these investigations, the book hypothesises performance features. These hypothesised features are subsequently tested on the Chinese film Raise the Red Lantern (1991), showcasing their flexibility and potential for broader application in film performance.

The book makes a significant contribution to existing research by bridging film performance theories with social semiotics, synthesising them into a cohesive framework that is applicable to both Hollywood and non-Hollywood films. This book is especially valuable for scholars, practitioners, and students of film studies and social semiotics.

Zhen Zhang is an academic at the University of Sydney. Her interdisciplinary research spans film studies, digital culture, social semiotics, etc.

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