Urban Indigenous Assemblages

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A01=Ana Vivaldi
Author_Ana Vivaldi
Buenos Aires
Category=JBSD
Category=JBSL11
Category=JHMC
Category=VF
cultural productivity
displacement
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Evangelical church
exoticization
gendered mobilities
handicrafts
identity
Indigenous culture
Indigenous mobilities
Internal migrations
juridical personhood
middle-class humanitarianism
mobility
NGOs
racialization
rural-urban divide
shantytowns
spatial dynamics
state recognition
subaltern assemblages
Toba
Toba barrio
Toba networks
villeros

Product details

  • ISBN 9780826508362
  • Dimensions: 152 x 229mm
  • Publication Date: 30 Jan 2026
  • Publisher: Vanderbilt University Press
  • Publication City/Country: US
  • Product Form: Hardback
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Over the past two decades, Latin American politicians and activists have reckoned with their nations’ histories of racism, forced displacement of native peoples, and inequality by acknowledging Indigenous communities as peoples preexisting the modern states. In Argentina—a nation long fixated on presenting itself as “white” and “European”—this shift has been dramatic. After decades of erasure and racism toward Indigenous peoples, Argentinian civil society is identifying Indigenous groups as not just an element from the past, but as nations central to the country’s culturally plural and multiracial identity.

In Urban Indigenous Assemblages, Ana Vivaldi considers how Argentina’s urban Indigenous population fits into this recent political and social movement. To do this, she focuses on how the Qom Indigenous people—whose traditional territories are in northern Argentina—have moved to Buenos Aires, made homes in shantytowns alongside other migrants, and remade urban space by building Indigenous lives in the city. Starting from a Qom barrio in Greater Buenos Aires, Vivaldi traces how Qom peoples’ travels to rural communities and movement across the city create complex networks and produce an urban life always in connection to other places. She argues that urban racialized indigeneities represent sites of contradictory relations visible and invisible to state actors and hypervisible to development agencies, as the Qom are expected to prove their authenticity and remove themselves from important relationships with nonwhite neighbors to access rights and recognition.

Based on eighteen months of fieldwork, this book analyzes the historical process that created the barrio: the constant remaking of this Indigenous space in interaction with state institutions and NGOs, the links between the barrio and northern Argentina through travels “far out” to rural communities in the Chaco, and the expansion of “Indigenous territories” beyond bounded location.

Ana Vivaldi is an instructor in the Departments of Sociology and Anthropology at the University of British Columbia, an honorary researcher at the University of Manchester, and a research manager at Firelight.

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