Urban Subversion and the Creative City

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Australian Technology Park
Author_Oli Mould
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creative cities
Creative City
Creative City Paradigm
Creative City Policies
Creative City Rhetoric
Creative Class
creative class theory
Creative Class Thesis
creative economy
creative practice
Creative Subcultures
Creative Zones
critical urban theory
Cultural Quarters
De Certeauian View
Dubai Media City
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everyday geographies
Festival Wing
Media City
neoliberal urbanism
Notre Dame Cathedral
oli mould
policy critique urban studies
radical urban creativity analysis
skateboarding
Southbank Centre
spatial justice
subcultural resistance
Sydney Harbour Bridge
Tactical Urbanism
UK Trade
Urban Exploration
urban governance
urban inequality
urban policy
Urban Subversion
urban subversions
urban theory
Vertical Vanishing Point
Woolworth Building
Young Men

Product details

  • ISBN 9781138693289
  • Weight: 400g
  • Dimensions: 156 x 234mm
  • Publication Date: 03 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Check out the author's video to find out more about the book: https://vimeo.com/124247409

This book provides a comprehensive critique of the current Creative City paradigm, with a capital ‘C’, and argues for a creative city with a small ‘c’ via a theoretical exploration of urban subversion.

The book argues that the Creative City (with a capital 'C') is a systemic requirement of neoliberal capitalist urban development and part of the wider policy framework of ‘creativity’ that includes the creative industries and the creative class, and also has inequalities and injustices in-built. The book argues that the Creative City does stimulate creativity, but through a reaction to it, not as part of it. Creative City policies speak of having mechanisms to stimulate individual, collective or civic creativity, yet through a theoretical exploration of urban subversion, the book argues that to be 'truly' creative is to be radically different from those creative practices that the Creative City caters for. Moreover, the book analyses the role that urban subversion and subcultures have in the contemporary city in challenging the dominant political economic hegemony of urban creativity. Creative activities of people from cities all over the world are discussed and critically analysed to highlight how urban creativity has become co-opted for political and economic goals, but through a radical reconceptualisation of what creativity is that includes urban subversion, we can begin to realise a creative city (with a small 'c').

Oli Mould is Lecturer in Human Geography at Royal Holloway, University of London.

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